#also some of his lines are... interesting (to say the least). I may post some of them later (under a cut w a spoiler warning obvs)

[krenenbaker]

I'm doing alright, yeah! my sibling's back in town, I have fresh banana bread, and I'm (hopefully?) going to finish writing another piece today! also, it's my darling eels' birthday, so that's also wonderful!! (*^◡^*)

how're you doing today, hun?

[ambrosiagourmet]

Rin Masterpost

Rin! Rinsha Fana! Beloved side character I think about far too much (or maybe not enough?)

I decided that it might be nice to put together an informational post about Rin, since she has some of my favorite background details of any character in Dungeon Meshi. This is partly as reference for myself, and partly for anyone else who might be interested in her but not know where to chase down the tidbits we we get of her, both in canon & extra materials. There’s also a little bit of theorizing and analysis sprinkled in for fun.

If anyone spots something I missed, please let me know and I will add it in!

Alright. Time for ultimate #rinposting

History and Timeline:

We don't have an official timeline for Rin (even in the expanded Adventurer's Bible, sadly), but we can put a lot of pieces together based on Kabru's timeline & their respective ages.

Rin is 2 years older than Kabru, and they met when he was 9. Assuming that he met her soon after she was taken to the elven capital, that means that the elves took her when she was 11.

Before that, she lived on the Northern Continent. Interestingly, when Mickbell asks about Shuro, Rin says she was born "here."

Since "here" doesn't mean the actual Island itself, it must mean simply "not the east." She is described in the Adventurer's Bible as having "no real knowledge of or attachment to the East," so maybe that's why she draws a "there" verses "here" line.

I'd also like to add a note here that the elves don't seem uh... they don't seem great about respecting the value of other cultures, especially those of short-life species. Milsiril seems to have discouraged Kabru from eating or remembering food from his hometown, at least, and that's even as an adoptive parent who cares (at least in some way) for her child. As I will touch on later, the "care" that Rin was under probably had even less respect for her history or ties to either Eastern or Northern culture.

That is all to say, considering that Rin spent many years with the elves, I'd take her having "[no] attachment to the East" as more of a comment on how she feels now, and less as a definite choice she made. She may genuinely have chosen that approach and opinion for herself, she may have been pushed towards it by the elves, and she may have had little choice at all in the matter - all are valid interpretations, though I personally lean towards the thought that it's unlikely the elves didn't have at least some hand in it.

Anyway, Rin does seem to know at least a bit about her heritage - she can presumably name and identify the specific island her parents are from, and she recognizes that "Shuro" isn't a name used there. She also knows that different places from the Eastern archipelago speak different languages, so she knows at least a little about the other islands as well.

Some additional extrapolations I'll make based on these facts: she never mentions, and probably isn't in contact with, any family from her island. This may be because her extended family died, because her parents didn't (or weren't able to) maintain contact, or because she lost contact when she was taken by the elves. Somewhat relatedly, she also prooobably doesn't speak the language, at least not fluently, though her being able to comment on the state of language in the archipelago makes me think that she at least learned a little as a kid.

Anyway, Rin's parents were refugees from the archipelago, though we don't know what specifically caused them to leave. There is this little tidbit of info we get (from the cover of chapter 48, of all places), though:

So yeah, that seems like it would be the backdrop of Rin's parents fleeing. As I said earlier, it's unclear if Rin might have any living family left back on her island. The listing she has for “family” in the Adventurer's Bible is just a dash, but so is Izutsumi's, for instance, and we know that she was taken from her family with no knowledge of who might still be out there. It's possible everyone else was killed, it's possible they were separated... it's possible that Rin's parents didn't even know.

As an additional note, and this is speculation on my part, but I think there is an argument to be made, with this tidbit from the cover as well as the Nakamoto clan's specialty in espionage and use of ninjas, that the politics of the archipelago are partially based on Sengoku era Japan. Not necessarily super relevant here, but I think it's interesting context for all... of the archipelago characters, honestly.

(Especially considering it seems like the Nakamoto clan is in a relatively comfortable position, and yet clearly are involved, or at least prepared to be involved in larger conflict. How stable is their position, really? How is Shuro's father viewed by the wider region and archipelago as a whole? What about his lord? NOT THE POINT THIS IS A POST ABOUT RIN. BUT IT'S VERY INTERESTING TO THINK ABOUT.)

Okay, back to Rin's parents.

Whatever caused them to leave, they made their way to the north, where they made their living with their magic for a time. There are no specifics about what kind of magic they used, but we know at least some examples of jobs that magic can get you, based on the flashback to Laios and Falin's childhood in chapter 26. Laios proposes that Fain could use her magic to be a priest, gravekeeper, or wandering exorcist. Though these are specific to Falin's affinity with spirits, they give some idea of the shape of the work that might be available. It's important, but it is also on the outskirts of society - not necessarily admired or appreciated by the average person.

And Rin’s parents were killed by vigilantes for that magic. It's not entirely news that superstitious villages in the area would sometimes kill magic users - we see a small drawing of people being burned at the stake in a panel towards the end of the manga:

Nonetheless, Rin is the only person in the main cast who has experienced this brutality firsthand. And she did experience it firsthand, having been found by the elves as the sole survivor within the burnt ruins of her home.

It is unknown exactly how she survived, or what happened to her parents before and during the fire. Rin lived, and they did not.

The elves came some time after the fire, intending to investigate reports of ancient magic. They (and we) don't know if Rin's parents actually did use ancient magic, or if the reports and murders were simply spurred by general fear and superstition. Rin was the only piece of "evidence" that remained, and so she was taken back to the west with the elves when they left.

We don't know much about her time on the Northern Central Continent (where the elves/Canaries are based), but it doesn't seem like she was adopted or taken in by anyone the way that Kabru was. According to the Adventurer's Bible, after being taken into custody, "under their care she was treated as a captive animal would be." I would guess that means very basic food and shelter, little to no education. Probably the most social contact she got was from Kabru, as well as maybe, occasionally, from elves treating her as a curiosity, such as in this bit in the Adventurer’s Bible:

Assuming she left with Kabru (which seems like it is the case, there's no info about them having separated during that time), she spent 9 years with the elves, and has been with Kabru on the Island in the 4 years since then.

She also stays in the Golden Country after the end of the story, apparently working as an apothecary.

Additional Details (& Speculation):

What does she remember of her family and home?

I'd like to take a moment here to explore a little of what Rin might remember of her parents and home.

For reference, we can look at Kabru. The canaries came to Utaya when Kabru was 6, and he arrived in the capital when he was 7. He remembers the events of the tragedy in his home, and has some memories of his mother and life in Utaya, including memories of local dishes.

Rin lost her parents and home at 11, so she presumably has much clearer memories of the events that lead to her being taken by the elves... or she might, assuming that they haven't been completely blocked by her trauma from the event.

Yeah, I am fairly damn sure that she's got some memory issues from trauma and PTSD. For one, this is the state she was found in:

As already mentioned, she was also treated like something of an animal by the elves. She probably didn't have a lot of contact with other people, which would further perpetuate that sense of isolation and dehumanization. What I'm getting at here is that Rin probably didn't have much to help pull her out of this place, or heal these wounds. She had Kabru, who was also a kid and even younger than her, and she had herself.

Obviously trauma leaves different scars on everyone, and everyone responds and copes in different ways. But I do think it is interesting that we never hear anything about Rin's parents or life before the elves, and there are no real details about it given in the Adventurer's Bible the way we have for Kabru. What's presented is more surface level facts: they were refugees, they made a living with magic, they were killed.

I'm inclined to believe that things are laid out this way because that's how Rin holds on to these things. She knows things about them, but possibly remembers them more as things she was told/knows to be true, rather than actual memories she can picture herself experiencing.

Rin's Magic

In an interesting counterpoint to her potentially spotty memory, I do actually think Rin may have learned magic from her parents (or started learning, and was self-taught from there). She never attended a magic academy, and actually has a bit of grudge against people who did - owing to the social protection afforded to "upper-class mages," which her parents did not have. She also almost certainly wouldn't have been taught by the elves, who not only treated her as an animal but also knew her parents may have been involved with ancient magic.

Falin began to show signs of magical talent at 8, and was sent to the Magic Academy at 10, and that was as someone who had absolutely no guidance about or exposure to magic in her home town. Raised by two mage parents, I think Rin absolutely could have been learning some things by the time she was 11.

In terms of continued learning, I'll add that Rin is able to identify Marcille's magic as being A) from an Academy student, and B) cast by an elf:

This makes me think that she continued to study magic on her own while held by the elves, and probably even more so after leaving with Kabru. They didn't form the party until two years after they left the elves, which would give Rin plenty of time to try and learn from other adventurers on the Island, or to study up on her own. She'd probably be able to pick up some dungeon-crawling basics (like the water walk spell), as well as become familiar with the skill level and expression of skill common in different people with different backgrounds (hence why she is able to comment on the "textbook" academy wards).

Much like Marcille, Rin also seems to rely on a 'one size fits all' Big Boom method of dealing with monsters: lightning. We see the best example of its power in the fight with Chimera Falin:

But we also see her cast it pretty recklessly in a few other places, including the end credits of the new anime ED, which I think provides a good example of the downsides to such an approach...

Yeah, it is very much a 'get out of the way or get zapped' spell.

Especially since Marcille's offensive magic is self-taught and works very similarly, this definitely reinforces the idea that Rin figured most of this stuff out herself.

Outfit and Character Design

Dear sweet Rin of the Red And Black... how I love her design.

First of all, her clothes are damaged. Despite the fact that Rin looks relatively well put together overall, her outfit is worn out. I have some theories on why this is that I'll get to in a bit, but for now I'll just touch on what this design communicates in general about it.

I think, just like with Kabru's horribly messy room, it creates a sense that there is something more complicated underneath the surface. Something that isn't being addressed or seen to, just as the dress hasn't been mended or replaced.

It also reflects her not caring a ton about her appearance. She's neat, but she's not concerned about being pretty, so she doesn't bother with fixing up her outfit after her dungeon crawls. This also fits with her perpetual scowl (which I will talk more about in a bit), and slightly disheveled hair.

Next: the gloves. At first I thought they might be a sort of uncomfortable-with-touch thing, but after skimming through the manga and some bonus content, I have another theory. Rin takes the gloves off to eat, as well as a few other instances, such as when working on a spell with Holm and Marcille in chapter 36

This one is especially interesting because she has them on in the next chapter, during the fight with Falin. Since she also isn't wearing gloves during some of the Daydream Hour art of her outside of the dungeon, that leads me to believe that they are specifically for combat.

What does she need them for, though? Most other casters we see don't wear gloves. Well... just look at the other half of the page where she attacks Falin with lightning:

She is enveloped by this spell. I said it before was pretty reckless magic, but maybe its not just a problem for her teammates, but for her as well.

So here's my theory: maybe the gloves are rubber, or some other electricity-resistant material? They might help protect her from her own magic. I don't know why a caster would need gloves for combat otherwise.

I also think this might be why her dress is tattered at the bottom, by the way. Especially since the Daydream Hour genderswap design doesn't have a similar problem with his outfit, since the tunic isn't as long.

I will admit this is a bit of stretch/guess, but I think it's a fun one, and I wanted to share. I do think I'm right about the gloves being for dungeons/fighting specifically, at least. That seems pretty consistent throughout all of her appearances.

I also mentioned her scowl, so I'll touch on that briefly as well. The (fairly confirmed) explanation for Rin's expression is that she intentionally wears a frown to prevent her other expressions from showing through. I think it's important to emphasize that it's not just smiling that she is trying to suppress here - it's any strong emotion:

Anyway, because I can, here is the art of Rin smiling.

Rin and Kabru

I have talked a bit about Rin and Kabru's history, but I think it deserves its own section.

I think it's very interesting that Rin is pretty much the ONLY character in all of Dungeon Meshi that has explicit canonical romantic interesting in someone. It's literally part of the main summary sentence in her character profile.

This could be sort of reductive as a way to describe a female character (and in some ways it still is), but I think in part the simplicity and directness of it actually is part of what makes it so interesting. Especially when on the very next page we see the comic about her backstory. "This mage is in love with Kabru" -> one page of a horribly traumatic event and a child frozen in shock with no one to comfort her. What does that do?

Well, in my opinion, it shows how much Rin focuses on Kabru as something to keep her in the present. In contrast with the immense loss she has experienced, her love for Kabru is current and alive. He has presumably been her anchor for years, and I think that her love is part of that anchor.

Adding to this, in contrast with how explicit her feelings are, she never seems to actively pursue Kabru. She complains about his potential interest in other women, but she doesn't really flirt. She doesn't let herself smile around him any more than anyone else, and she doesn't hide her bitterness or anger from him to present a more appealing persona.

As much as she craves Kabru's attention, and has stayed by his side for years, I don't know that she really wants to possess him. He seems to know about her feelings, more or less, and she seems to know that he knows. Maybe she believes he doesn't reciprocate and is respecting that, maybe she's afraid of what she could lose if she tried to change things, or maybe the change itself frightens her. In any case, though she's not exactly happy with the way things are between them, she doesn't seem to be trying to change that status quo.

A specific thing I'd also like to talk about with their relationship, beyond Rin's love for him, is her fear for him. As the Adventurer's Bible puts it, "she worries that his knack for dealing with whatever life throws at him might lead him to get too full of himself and end up in serious trouble."

Rin is an interesting mix of restrained and explosive, herself. Her magic is destructive, her temper seems to run hot (she gets annoyed easily, at least), and her feelings for Kabru are apparent. At the same time, she doesn't let her emotions show on her face, she is the one who bluntly states that the group has hit the limit of their abilities, and she doesn't act on those obvious feelings for Kabru. It's interesting, then, that what she fears for Kabru is that he won't restrain himself.

And a small personal idea about that as well: I wonder if she somewhat blames her parents for getting killed. Again, this is very speculative, but I think it's interesting that her fear for Kabru is that he will get too full of himself. Take up too much space. It's never really stated what Rin thinks of her parents, but it can be easy in grief to search for control, and control often means blame. If they hadn't been so confident, so flashy, would they still be alive...?

I don't know if she's ever thought like that, and it could well be that her fears for Kabru come from a totally different place. But it's an interesting connective thread between her past and present - the idea of "getting in trouble" for taking up too much space and being too confident in one's own abilities.

Miscellaneous Tidbits:

On that note, I'd like to wrap up the main part of this post, and move on to a few extra things that I couldn't find another place for.

Rin plays with her hair when she's stressed

Using stressed as a pretty big umbrella here, because I think it's hard to perfectly pin down all the emotions at play, but it is a habit of hers. Best displayed in chapter 32, but it shows up in other places, too.

Her design contrasts with Marcille

This is a small thing, but I just love how much they are visual opposites.

Rin wears red and black and has dark hair, Marcille wears blue and white and has light hair. Marcille cares a great deal for her hair and puts it up in elaborate hairstyles, and Rin's is mostly loose and a bit messy. Marcille was even educated at the Magic Academy, which Rin dislikes. They both have little capelets. Also they both look very cute in each other's clothes.

Rin knows Flamela (and they meet again in canon)

Nothing much is done with this in canon, but I think it’s super interesting that Flamela's squad are the ones that find Rin as a child and take her away to the west, and then they end up stuck in the dungeon together for a bit.

Two days??? I'm so very curious what things were like between these three.

Aaaand I think that's all I have to say about Rin! For the time being at least. There's a lot more analysis that could be done about her and Kabru especially, but for this post I wanted to keep things at least somewhat anchored to canon facts, with only a layer or two of speculation on top.

If it isn't already obvious, I think Rin is a super interesting character with a ton of potential depth to explore. She mostly interacts with Kabru in canon, but has ties to a bunch of other characters: she and Marcille fill similar roles in their parties but have differing personalities and histories, she and Falin (and Laios) have been tremendously shaped by xenophobia and fear of magic common in the Northern Continent, her parents fled from conflict in the same region Shuro and his retainers are from, and she has history with Flamela and some of the second canary squad.

Her temper, her fear, her love... her repression and passion - they all inform her character, even in small ways, even with as little time as she spends on the page.

[heavenlymorals]

This started out as a list for me for fanfiction purposes, but then I decided I should just post it cuz why the hell not?

These are my observations for what religions some RDR characters may follow. These assumptions are going to be based off cultural details and dialogue.

Again, they're only assumptions, so I'm very much aware that they can be wrong.

Dutch: Dutch is really interesting in the sense that he believes in a higher power. The three main components of Romantacism were the relationship between man and man, man and nature, and man and god. Dutch is a romantic. He also has many lines where he talks about heaven, with one being: "Be a man who knows that there is a heaven above or scurry off like some god forsaken monkeys." We know Dutch isn't Catholic considering his negative views towards Catholicism ("Here we are in this strange land of Papists and rapists."), so he is most likely from some sort of protestant background who then rejected it for the romantic tradition as many of the newspapers in RDR1 would say things about Dutch not getting saved. John says the same thing. Dutch is a diest but not a Christian.

Hosea: Hosea is some sort of protestant Christian and we get this through cultural background and dialogue. We learn that when he was younger, he wanted to be a priest but let go of that because he needed to be Catholic. America was and still is a majority protestant nation but even moreso back then. We also hear him talk about heaven and hell a couple of times, lamenting about how when he does, he won't see Bessie because she'll be in heaven. He is angry at his faith, yes, with the line of "And we're supposed to believe in judgement" when ranting about Bessie's death, but then apologizes, admitting that he can't understand it, not that he doesn't believe.

Arthur is agnostic, but he's open to the idea of faith. In one of this journal entries, he says something about whether he can achieve salvation or heaven or whether that's all fairy tales, as he's not sure what to believe when he dies, even though to the nun, he says he doesn't believe in anything. Arthur also seems to have a distaste for the church as an organization, evidenced by his dialogue with the grave digger debtor, but he seems to like religious people, or at the very least he is open to them. He never knocks down Brother Dorkins and he feels at peace when he speaks to the nun in their final meeting at the train station. Very interesting that he feels better after he talks to the nun, a character who is supposed to embody positive religion and what it can do for people.

John is a non practicing Christian, which makes sense considering his background and the work he has to put in to keep his family safe. It keeps him from actively practicing. Though he's a realist and isn't practically concerned about religion in his everyday life, shown by his father dismissive attitude towards religious people in the game, God is still an active force in his life. Throughout the story, John has lines about God as an active force in his life. When he marries Abigail, he says he wants to marry her "in front of God." A preacher authenticates the wedding. John owns a Bible in his house, makes references about Dutch not getting saved, and talks to Jack about the possibility of redemption as something the "good book" says, despite not reading it with him.

Abigail seems to also be a more practicing Christian, given that she does ask Jack a couple of times throughout the story to read verses for her, but beyond that, I feel like she is also pretty lukewarm in regards to her faith, but she is still a Christian.

Sean and Javier are all most likely cultural Catholics. Sean is an Irish man and is proud of his Irish heritage, which also includes Irish Catholicism and he mentions being a child of God a couple times throughout background dialogue. Javier is a Mexican man and Mexico is very Catholic and though he doesn't really speak of it, he has done the symbol of the cross in game, so it's likely that he still holds some religious thoughts.

Molly is most likely an Irish Protestant due to her conflicts with Sean as well as her family's connections with the English.

Charles is tricky because we know that despite being proud of his native heritage, he is still very much displaced from his culture. What this means is that while he might follow native religion, it equally as likely that he follows some sort of protestantism because of his lack of time with his tribe, forced assimilation, and his relationship with his black father, who would culturally most likely be a Christian. There are really no clues or hints about Charles' beliefs besides his cultural backgrounds so take that as you will.

Micah is a reddit atheist. He doesn't believe in divinity at all and he uses that to shape his worldview as well. No such thing as heaven and hell, only winners and losers. He bullies Swanson a lot for his faith and constantly belittles the idea of religion.

Karen, Tilly, Marybeth, Grimshaw, Pearson, Lenny, Leopald, Josiah, and Kieran don't really have any clues as to what they personally believe. The only idea that we have is the setting that they lived in and the culture that they frequented which makes it most likely that they are some sort of Christian, but what denomination? Don't know.

Sadie is a Christian, but most likely non practicing. We have multiple lines with her referencing God as an active force. "Everyone's got to choose who they're loyal to. God, the state, themselves. If a bounty hunter wants to last, his loyalty has got to be with the one issuing the bounty, plain and simple." "Guess he began to believe he was God or something."

Uncle is nonreligious, most likely agnostic due to his very lax tone in regards to faith, which is also evidenced by his rather wild lifestyle in multiple stories of his. "Do you believe in reincarnation?" "I hope and pray to whatever is out there-" "It's like rooming with the King James Bible."

Swanson is a protestant. Need I say more?

I'll post more later if I feel like it 🫶🏼

[bandtrees]

this has always been one of my favorite lines in this scene it’s so striking to me. i think debating over callum’s level of lucidity and what can or cannot “fix” him is deeply antithecal to what the story is trying to express with him - but the idea that callum is still there and still a person who does have the capacity to love mingus, just not in a way she can ever comprehend or accept, because she can't comprehend or accept anything outside her narrow worldview, is sooooo good.

there is no way of actually knowing if callum is proud of mingus, much less recognizes her at all - but it's added to by the fact there's only so much of that she would accept even if he could. ultimately, she wants validation and power, his prestige, from him, she wants a supportive parental figure she never had - there's only so much of that callum is able to provide even in a world where her stint to fix his memory actually worked. he's like a hundred. he never even MET her. to say nothing of all he's missed in the past fifty-odd years. to say nothing of how his age may have messed with his mind deteriorating even without the pre-existing brain damage.

and mingus' phrasing here implies he doesn't even look at her when she visits - which brings me to the visit that radicalized her: the one after her surgery, where he was watching gingi out the window.

obviously, callum watching gingi is mostly for the thematics of it all, how similar the two of them are in ways mingus refuses to recognize, but theres also the thought of... callum's been sitting alone in that room for over half his life, barely lucid if at all. of course he's going to be drawn to a brightly-colored thing making noises and knocking stuff over outside. if he can't respond to stimuli of the people around him he's at the very least going to latch onto something more visually interesting than Brown Wall and Brown Figure.

but it's not like mingus can think of it like that, because she's internalized so much about her grandfather and built up such a specific, personalized vision of him - she doesn't see him as an elderly man with (a fictional equivalent to) dementia, she sees him as President Callum Crown™, the man she personally has to please and live up to the legacy of and make proud, disregarding the fact that's not something he has the mental capacity to even do - because she's so obsessed with validation and complete control that the only way she can get it is by either subjugating others and forcing it out of them (what she does with her townsfolk), or just completely projecting on someone who, for her purposes, is basically a blank slate.

which is maddening to her in its own way, see how crazy she drives herself trying to restore callum's memory in the first place - but also, would she be happy even if callum could see her for who she is? post-game, when she's working on herself, that's an irrelevant question as she's pushed past that need, but as we know her? absolutely not.

i love the ch3 standoff between norm and mingus as a show of "Okay guys let’s see who can dehumanize this disabled guy harder (via pedestal-putting) and justify themselves for it better" and why i think it is so important that it’s gingi who reads the postcard and ultimately speaks for callum instead of either of them, or even the narrator. they can’t read, and they struggle to, but they manage to get it right even when people are telling them to stop. and the fact they’re able to do it at all, are given the chance to do so, and are ultimately the one to wind down this conflict shows that the world of dialtown, while not perfect, really is how callum would have wanted it.

both gingi and callum are some of the most altruistic and human characters ever, and the crux of their parallels is that they are denied this by close-minded people because they happen to Behave Strangely. it's why seeing mingus act the way she does hits so hard - she loves her paw-paw, yes, but if she were to see him in a vacuum, a one-limbed man who can hardly think, much less speak for himself: or even his younger self, who was struggling to make ends meet with his odd inventions...

...well, the feeling norm's imagining here would probably be mutual. mingus' relationship with bigotry is a very fascinating one, she's very close-minded but views certain oddities (ie her flesh-head) as having earned their place and thus being fine - she's a freak too, by her own admission, but she's doing it for a just and wider purpose, so it's fine. which is, ironically, the ideology callum forced upon himself.

callum was obsessed with helping people, pushing himself to do more and more, because it was the only way he ever found respect. if he didn't help people and have grand visions for the world and make himself "useful" to society at large, then what would he be, if not a freak?

mingus and her paw-paw are very similar people, from their well-intentioned extremism, to their stubbornness and paranoia, to their inability to view themselves as anything more than a vessel for that grand cause they believe in (callum in the dialup, mingus in restoring her paw-paw's memory) - which is funny, because if mingus was able to view callum, and herself, as a flawed human person, she would come to understand how similar they really are.

:(

[brf-rumortrackinganon]

Disturbing the Force

It was an epic day of Harkle shenanigans after just over a month of radio silence from Harry and a week and half without Meghan.

And they both came roaring back to the public consciousness in top form. Let's wind the clock back a little bit, and dive in.

June 14, 2024

It's Trooping Eve, and Kate kicks the celebration off with an update on her health, a new portrait, and an announcement that she will attend The King's Birthday Parade the next day. The social media post goes viral and it becomes breaking news, complete with push alerts.

June 15, 2024

Trooping Saturday. Kate makes her glorious and glamorous return to the public spotlight. Charles, recovering from his own health battle, looks fab as well.

Meghan can't deal with it and orders Nacho Figueras to shill her latest products for Roop ARO, raspberry jam and dog biscuits. The backlash is swift and immediate, and Meghan issues an almost-apology saying she didn't know that Kate would be returning to work on Trooping Saturday and she didn't intend to distract from it.

(Sure, and I didn't intend to drink a whole bottle of prosecco but 🤷‍♀️ here we are, snark and all.)

June 16, 2024

Father's Day. The official BRF social media posts archival footage of Charles and Prince Philip. William posts a photo of himself with Charles. Kate posts a photo of William and the kids with the kids' first post on social media.

The Sussexes don't observe Father's Day, unless you count activating the bots and the Squad to complain about William honoring his father with a photo that doesn't include his father's other son.

June 17, 2024

It's Garter Monday. All is quiet. William looks fantastic, as always. Kate is missed, as always.

June 18, 2024

Royal Ascot begins. It's still quiet. Lady Gabriella makes a public appearance, riding in a carriage with Anne and Peter. She looks to be in high spirits.

Meghan is still smarting over the public calling her out for stealing Kate's glory. She fires up the hotmail and gives exclusive comments to British tabloid Closer (not to be confused with Kyra Sedgwick's The Closer) that:

“Both Harry and Meghan have been following Kate’s recovery with huge interest, but sadly it’s had to be more from afar because their lines of communication with the palace and The Waleses, in particular, are very limited, to say the least. They have had enough information to know that people are excited about the idea of a comeback for Kate and they’re both relieved and happy to hear that she’s on the mend and may soon be well enough to return to her duties. They’ve jointly reached out to send well wishes, but they’re still not really in a place with Kate to warrant much of a response. That hasn’t stopped them from trying to connect and do what they see as the right thing. When Kate gets back into action, their hope is that it might take some of the heat off them and possibly trigger a truce with her and William, and with the King, too.”

and

“Meghan’s desperate to come across as the bigger person and end this feud between them – appearing like some sort of royal saviour could only do her image good. And, despite all their bad blood, her heart does go out to Kate – she can only imagine how hard this situation must be for her. Meghan has made it clear she’d love nothing more than to move past all the nonsense and find a way towards healing for everyone’s sake. She’s ready and willing to let the anger and bitterness go. Of course, it’s not really up to her and Harry, all they can do is continue to reach out and offer olive branches. Meghan hopes her feelings are being communicated to Kate through their mutual friends. There’s no doubt making peace with William and Kate would be a huge relief for Meghan on many levels, not least because it would also improve her reputation and, in turn, the new brand she’s cultivating.”

Y'all, I cannot. Meghan says she has mutual friends with Kate. Ha! That's as believable as "William's friend" giving exclusives to Richard Eden about William's plan for his monarchy.

and

“Meghan would love to be accepted by the British public again and getting the seal of approval from Kate and William would go a long way towards that. It’s got to be pretty nerve-wracking for Meghan, so much is riding on making amends with Kate and William and no matter what she and Harry do, ultimately they have very little control over the outcome, all they can do is continue to reach out, and hope for the best.”

Just to remind everyone, Closer is probably the source of the Sussexes' new British PR person that they promoted pre-Nigeria.

June 19, 2024

William attends Royal Ascot with his cousins and the Middletons. Everyone loves how close he is with his parents-in-law, compared to, well, you know.

Absolutely no one picks up Meghan's interview with Closer (maybe she should've tried Kyra Sedgwick) so Meghan's hotmail tips off the New York Post, who finally writes about it.

(Fun fact. I went to college with a girl who went to school with the Bacon-Sedgwick kids. She told me once that Kevin Bacon is more amazing than you think he is but Kyra is a bitch.)

(Also I'm watching the AFI Achievement Award for Nicole Kidman and she is so fabulous. Oh, man. They're parodying her AMC commercial with MORGAN FREEMAN. Sorry, guys. I really did drink that whole bottle of prosecco so please just bear with me.)

June 20, 2024

Meghan's check to her old stomping grounds, OK Magazine, clears and they write about the Closer's Olive Branch.

June 21, 2024

William's birthday. Kate posts one of the most amazing photographs she's ever taken of William and the kids, jumping off a sand cliff on the beach at Norfolk. One of the things that fascinates me the most about this photo is how William and George (the future kings) are looking at the camera while Charlotte and Louis are looking forward. I suppose someone more sober than me tonight can make an eloquent metaphor about how the kings are looking at their people while the spares are looking for their landing zone.

William takes his kids, Mike and Zara, Peter and Savannah, and some friends to see Taylor Swift. They have an absolutely chaotic time shaking it off, hanging out with Taylor, and meeting the Kelce Brothers.

Wales loyalists photoshop Harry's Friar Tuck into the birthday photo (or maybe it was the Father's Day photo? it was really well-done) and they also do a "who wore it best" of the dueling pink linen suits: Mike Tindall at the Eras Tour or Meghan Markle at the Lakers game.

June 22, 2024

Sussex Squad continue their shenanigans over William's dancing and attendance at the Eras Tour.

Thomas Markle publishes an op-ed in the Daily Mail talking about how all he wants is to talk to Meghan again and see her children.

It reminds me of ancient tea that came out in July 2018 (yes I can remember that specifically because I was riding on a very stinking hot London underground subway at the time) that Meghan and her people were shopping for PR agencies in late 2017/early 2018 and Meghan's brief to the PR agencies included that Samantha and Tom Sr. were to be used as sources and strategies for PR.

Whenever Meghan needs to reset the public narrative, she trots out dear ol' Dad to give her the victim edit. It's her MO, right there next to "throw everyone under the bus."

June 23, 2024

Richard Eden's op-ed that the Sussexes are becoming more irrelevanter than irrelevant gets picked up by American media, including the New York Post. But before you can think "someone forgot to pay them this week!", the article course-corrects, reminding us that the Sussexes had graciously offered to pick up royal duties while Charles and Kate are away but mean William won't let them.

June 24, 2024

The Mirror rubs it in Harry's face that he doesn't stand a chance at inheriting Diana's home. Apparently we're all "surprised" that Earl Spencer's son is set to inherit the estate "due to the aristocracy's system of primogeniture."

That reminds me. Earl Spencer's archaeological dig at Althorp found a roman bracelet. He posted about it on Twitter. (We're allowed to still call it Twitter, according to the Supreme Court.) (And I guess he's still boinking the archaeologist.)

June 25, 2024

The Japan State Visit to the UK begins. William looks fantastic accompanying the Emperor and his wife to the parade grounds to begin the visit. We all wonder what he's going to do because the state banquet takes place the same time as football. Is he going to smuggle his phone to the dinner? (Nope! But he must have required someone at KP to watch the match because their "congratulations" tweet went up lickety-split.)

Charles makes a comment during his toast about his grandchildren and Sussex Squad and anti-Katers seize ahold of it to mean that he's talking about Archie and Lili.

The BRF courts controversy when Sophie wears the Lotus Flower Tiara (famously loaned to Kate) and issues a press release saying that Queen Camilla loaned it to Sophie. Everyone gets mad and blog-shouts how dare she but I think it's a nothingburger. You can see that the tiara still "belongs" to Kate because the velvet wrapping on the brace is still the dark brown of Kate's hair (as opposed to being changed to yellow for Sophie's hair) so probably Kate meant to wear it but she couldn't attend, so it was given to Sophie because of what the lotus symbolizes in Japanese culture. (I have another anon that wrote in about this. I'll post it soon.)

Not to be outdone, Meghan's hotmail tells Marie Claire Magazine to promote her latest olive branch (from Closer on June 18th, but they quote OK Magazine's story from June 20th).

June 26, 2024

Scotty's Little Soldiers published a tearful video discussion their founder, Nikki Scott, had with Harry over loss and grief. Harry talked about losing his mother. Nikki talked about dealing with the loss of her husband and having to tell her then-five year old child.

Harry has supported Scotty's Little Soldiers since 2017 when he met the founder at a Buckingham Palace event. Harry later named Scotty's Little Soldiers as one of seven charities for his wedding.

The video doesn't really get much attention, largely going unnoticed by most. (There's some speculation it was filmed last week or when Harry was last in the UK (May for the Invictus anniversary) but I am one with the couch now.)

June 27, 2024

It was a busy, busy day for the Sussexes!

First, There was a ruling in one of Harry's lawsuits, which drops a bomb that Harry is being accused by News Group Newspapers (whom he's suing in one of his umpteen lawsuits in the phone hacking case that won't go away) of having destroyed evidence for the lawsuit. In a (tipsy) nutshell (I mean, let's face it, you do sorta have to be tipsy to understand the lawsuits), NGN wants Harry to disclose what information / evidence he has, or has knowledge of existing, supporting his allegations of the phone hacking. They are trying to find out if Harry knew he had a claim (aka grounds for a lawsuit) before 2013. If they can prove he did, then the case can be thrown out because it was filed too late.

The judge is concerned that Harry's lawyers hasn't addressed that issue and he doesn't like that Harry has been doing all the research himself and - reading between the lines - it's a veiled accusation of obstruction because it sounds like Harry has refused to cooperate with the lawyers by deliberately controlling and withholding his records from evidence disclosure. NGN says "We have had to drag those out of the claimant [Harry] kicking and screaming."

Additionally, the judge revealed "troubling evidence" that tons of messages between Harry and his Spare ghostwriter over emails and apps had been destroyed. (This is the destruction of evidence issue.

Ah, the neighbors have started shooting off July 4th fireworks. *eagle screech of freedom*)

The judge ruled that Harry and/or his team:

Must conduct a wider search of his laptop and WhatsApp account(s) for the missing emails, texts, and messages for exchanges from 2005 through early 2023

Must try to retrieve the messages from the Signal app he used to communciate with his Spare ghostwriter.

Must produce a witness statement to explain his exchanges with the ghostwriter (which could lead to testimony from the ghostwriter -- juicy!)

Must send letters to the royal household and their lawyers requesting copies relating to Harry's communications during this time so they could be examined for relevance and applicability. Two people from the royal household were named and y'all, I don't think they're happy about getting dragged into this.

Must make an interim payment of 60,000 pounds to NGN for their costs of the hearing. (I don't know why.)

(Reuters Link)

Second, the ESPYs announced today that Harry will be receiving their Pat Tillman Award for Service for his work with Invictus Games.

Here is what the press release says about Harry's selection:

In honor of his tireless work in making a positive impact for the veteran community through the power of sport, Prince Harry, The Duke of Sussex will receive the Pat Tillman Award for Service, an award given to a person with a strong connection to sports who has served others in a way that echoes the legacy of the former NFL player and U.S. Army Ranger, Pat Tillman. After serving for 10 years in the British Armed Forces, including two tours of duty in Afghanistan as a forward air controller and Apache helicopter pilot, Prince Harry founded The Invictus Games Foundation, continuing his service by creating an international platform to support wounded, injured, and sick servicemen and women – both active-duty and veterans – who are navigating both physical and invisible injuries. Since inception, the Games have transcended borders and impacted lives across every continent, bringing together competitors from 23 nations, with continued support and programming 365 days of the year. Now celebrating its tenth year, The Invictus Games has evolved into a globally celebrated and acclaimed organization that celebrates resilience, community, and healing through the power of sport. Past recipients of the Pat Tillman Award for Service include Jake Wood (2018), Kirstie Ennis (2019), Kim Clavel (2020), Marcus Rashford (2021), Gretchen Evans (2022) and the Buffalo Bills Training Staff (2023). 

Yeah, we're all sorts of pissed off because it's clear that Harry bought the award because he certainly doesn't qualify for it. Invictus Games qualifies for the award; not their bratty founder who takes all the credit.

It was totally purchased for the 10th anniversary of Invictus and to help Harry look important, like he actually does something and is worth everything he grifts gets. Speaking of, they haven't announced the 2027 host yet. Small mercies, I suppose. I wouldn't put it past them to try and announce it during the Olympics, because one thing Harry (and Meghan too) is very good at is not being able to read the fucking room.

According to the tea that has leaked out, the ESPY announcement caught many off-guard at ESPN because it was not meant to happen today (check out the comments here), leading to theories that:

The Sussexes are trying to bury the news that Harry's lawsuit isn't going well and that he's been reamed out in court.

Harry is trying to compete with William, who is attending a conference today for Earthshot 2023 winners with Bill Gates and Hannah Waddingham.

It's a tactical PR campaign to prop Hero Harry up for the UK's observance of Armed Forces Day on Saturday, June 29th.

or

4. All of the above.

(if you guessed #4, you're right!)

Third, in the most amazing of coincidences, Meghan Markle was papped in Beverly Hills merching a tracksuit for a photo shoot. Since it was near a popular coffee shop, my theory is that she's doing something for that Clevr thing, the one she did the commercial for last year. Maybe some kind of corporate partnership with her lifestyle brand. Clevr + ARO = the tracksuit fashion no one but Sue Sylvester needs.

Anyway. That's what you missed on Glee.

[luci-is-a-bitch-x3x]

Obey Me! Younger Brothers react to: Mc telling them "You look so handsome when you lie to me."

Other parts can be found here: Older Brothers Reaction

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Welcome! to another part of this adventure! The characters may not be how you imagine! I apologize for any poor jokes, bad spelling, and terrible grammar. Without further ado, please enjoy the content. ♡

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Satan's reaction

Satan and Mc were hanging out in HoL's library, Satan was currently engulfed in a book, Mc had been reading, but a particular thought had caused them to stop reading. Mc couldn't stop thinking about the thought, they stare at Satan questioning if they should act on the thought or not. See Mc usually is one step behind Satan when it comes to flirting. Satan is a romantic he's constantly flustering Mc, Mc would like to make Satan flustered at least once! The countless times he's left Mc blushing and stuttering for some come back, its time for Mc's revenge!

Mc gives themself a pep talk and then clears their throat. 'Satan can I ask you a question?' Satan's eyes dart up from the book he'd been reading, as Satan makes eye contact with Mc, Mc can see his emerald eyes glisten under the library lights. Satan's practically beaming with curiosity, but he holds his composure well. Sending Mc a calm comforting smile before responding to their question- "By all means ask away, you've piqued my interest after all." Satan's calm smile is now more of a teasing intrigued grin, he unintentionally scooted to the edge of the seat he's sitting in. Almost looking like a teen girl about to hear about gossip. 'Would you love me more if I was a cat?' Mc knew the answer, of course Satan would, but Mc also knew Satan wouldn't say that to them, he wouldnt want to hurt their feelings. Satan teasing grin flaters and he is silent for a couple of minutes, Mc can practically hear the cogs in his brain turning as he tries to think of a response. "....Of course not.." Satan finally answers, though he sounds like he's lying or unsure. Mc can't help but smile at his answer, Mc's plan was working just as they thought it would.

'You look so handsome when you lie to me Satan.' Mc says with a grin. Satan goes to argue, he wasnt completely lying Mc wouldn't be Mc if they were a cat, but he quickly realized Mc called him handsome. Satan blushes and does his little ´how dare you fluster me` scoff, Mc can tell he is thinking hard of some response. Satan sits there mouth formed in a line as his brain cogs start turning into overdrive. How is Satan supposed to come up with a response to that? The smoothness of Mc's action makes Satan realize they've been planning this for weeks! They thought ahead and knew his answer before he even answered. Satan blushes more as he realizes hes been out done for the day, so he stands up and mutters a quick "..that was a good one..but I'll have a better one next time.." Before he rushes out of the library headed to his room to plot his revenge. Satan enjoyed hearing Mc call him handsome but he enjoys the fun flirting competition the two have going on more.

Asmodeus's Reaction:

Mc and Asmo we're hanging out and doing random things together like always. Asmo decided to snap a few pictures of the two together to put on his Devilgram. Just as anyone does when posting pictures the two go through the pictures taken together to find ones they both can agree to post. The pictures all look great, Mc and Asmo both are looking fantastic, but everyone can be picky sometimes when it comes to what kind of photos of themselves they want online. Asmo has a reputation to uphold as the Devildom's most beautiful demon, and Mc is a human..so human world standards can be life changing.

Asmo and Mc usually can choose a photo or a few photos just fine, but occasionally a small argument breaks out. As they go through the photos Asmo chooses his favorite, but it happens to be a photo that Mc doesn't like the way they look in. Asmo tries to make Mc feel better, reassuring them that they look fine, "..come on hon, you look absolutely stunning." Despite Asmo's best attempt, his compliments do not change Mc's mind, they are dead set on the photo he chose not being the one posted. Asmo being Asmo though he doesn't listen, he looks the best in that photo so he has to post it! Asmo "secretly" begins to edit the photo and prepare it to post on his Devilgram. Mc takes one glance at Asmo trying to hide his D.D.D and instantly knows he's trying to post the photo they said they didn't want posted. Mc sighs and asks, "Asmo are you posting that photo?" Even though they already know the answer. Asmo glances up from his D.D.D and gives Mc an innocent smile. "..I'm not posting any yet..I'm just scrolling on Devilgram." Asmo lies through his teeth, feigning innocence.

Mc shakes their head with a smile and says, 'you look so handsome when you lie to me Asmo.' Asmo's fake innocent smile falters and he blushes a little. Asmo instantly walks over to Mc to give them a hug as he says, "oh I'm sorry hon, but I look the best in that photo! You look amazing too! It's the perfect photo to captivate how amazing we look together!" Asmo says clearly still wanting to post the photo. Mc just sighs and says something like "you look handsome in any photo', unlike Asmo, Mc's compliments seem to do the trick as Asmo slowly begins to choose a different photo, one that Mc is okay with him posting to his Devilgram. It becomes a trick that Mc can use often if they have a photo they don't want him posting, just compliment him until he changes his mind. Bonus points if Mc specifically points out how good he looks in the photo they want posted.

Beelzebub's Reaction:

Mc had been saving a snack for a few days, they even hid it really well in the fridge! They are in their room doing R.A.D homework when they suddenly start feeling hungry, so they go to the kitchen to get their snack. When they get to the kitchen they aren't exactly surprised to find Beel in the kitchen already. Beel has his face stuffed with food as usual but he doesn't greet Mc like he usually would, instead he quickly turns away from Mc and even stuffs the wrapper of whatever he's eating into his mouth, proceeding to eat it as well. He cannonly eats literal plates so don't worry bout him. Mc was able to catch a small glimpse of the wrapper before Beel stuffed it into his mouth, and Mc is almost positive it's the wrapper to the snack they had been saving.

They couldn't really be mad at Beel, he gets hungry man, but they still pretend to be upset. They cross their arms as they stare at Beel suspiciously, '..Beel what're you eating.?' Mc asks, even though they pretty much already know. Beel's face flushes red out of embarrassment and he continues to be turned away from Mc, "...nothing.." Beel says with a mouth full of food, the poor mans is just making his case worse. Mc has to fight off a smile, still trying to pretend to be upset, the give him an even more suspicious and fake stern look, '..you wouldn't happen to be eating my snack would you?' Mc asks knowingly, basically resisting the urge to bust out laughing, they couldn't though, they had to execute their plan. Beel swallows before glancing Mc's way, the crumbs of Mc's snack is still on his face, making it obvious that he's the culprit. "...no...it was something else.." Beel mutters quietly, not even making eye contact anymore, probably the worst liar out of all the brothers.

Mc smiles at him knowingly while saying, 'you look so handsome when you lie to me Beel.' Beel's face immediately flushed a dark shade of red, if he still had the food in his mouth he probably would have choked in Surprise, he enjoys mc calling him handsome, but unlike his brothers he mainly hears Mc calling him out on lying. "...I'm sorry Mc..it just looked so good..I'll buy you a new one.." Beel says apologetically, looking at the ground like a puppy who got caught in the trash by its owner. Mc just laughs and shakes their head while saying, 'its okay Beel I'm just teasing, how about we both go out and get a new one together?' Beel seems to like that suggestion as he smiles widely and mutters something about "food is always better when eating with you, Mc." So, the two head out to get a snack, they end up with lots of snacks because Beel got hungry on the walk to the store, but both Mc and Beel had a good time together.

Belphegor's Reaction:

A new movie has come out in the Devildom, Mc is super excited to watch it, and Mc specifically said they are excited to watch it with Belphie. Belphie isn't particularly fond of the type of movie it is, but he wants to make Mc happy and sees it as an opportunity to rest his head in Mc's lap and nap. The two get set up in Mc's room to watch the movie together, they have snack, blankets, all the necessities for a good movie night together. Belphie even promised Mc that he would stay up and watch the entire movie with Mc. The movie starts and Belphie stays awake for awhile, barely even watching the movie, just being up soc wouldn't be upset. However as the movie gets to the half way mark it becomes increasingly hard for the Avatar of Sloth to stay awake. The movie was honestly a little boring and Mc's lap was just so comfortable! Belphie tries his hardest to stay up, he promised Mc after all, but as the movie continues to drone on he decides it might not be that bad to just rest his eyes a little. Belphie figures Mc will be paying too much attention and won't even notice so he could nap for a few minutes and then get back up without Mc even knowing.

He was wrong though, as soon as he closes his eyes Mc notices. 'I thought you were going to stay up and watch the whole movie with me?' Mc asks confusedly, Belphie had promised and all. Belphie gives a half-assed response, not even opening his eyes, "I am staying up, I'm just resting my eyes not sleeping" Belphie mumbles, you can hear the tiredness in his voice. Mc sighs and allows him to lay there for a bit "resting his eyes" while they continue watching the movie. After a few minutes Mc glances back down at Belphie resting in their lap, Mc figures Belphie is probably asleep so they quietly ask, 'are you sleeping yet?' Belphie grumbles in response, pushing closer to Mc's body and not opening his eyes, "no. I'm not even close to falling asleep" Belphie says, though he's completely lying, you can tell by the sound of his voice that he's about to fall asleep at any second.

Mc laughs softly at the sloth demon's determination to pretend to not be falling asleep, Mc smiles down at the half asleep demon and says, 'you look so handsome when you lie to me Belphie' Belphie was about to fall asleep until he heard Mc's statement, he shoots up staring at them with hazy tired but wide eyes, his face instantly starts to heat up due to being flustered by Mc's statement. Belphie embarrassed and flustered grumbles in response, "I wasn't lying. I wasn't even going to fall asleep." Belphie was still lying, he didn't want to admit he was sleeping and be teased or flustered by Mc even more. Belphie changes his position instead of laying on Mc's lap he sits next to him and rests his head on their shoulder, but for the rest of the movie he is up and actually watching the movie. Belphie would never admit it to Mc but that was one of the first times something's ever woken him up that fast and made him feel that energetic, he was able to stay up for awhile afterwards in all honesty. So even though Belphie won't tell Mc he likes hearing them call him handsome, Mc should definitely do it again.

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Thats all for now babes! Hope you enjoyed!! ♡ This is not proofread. Feel free to comment or reblog any thoughts or any add ons you have! Sorry this part took so long to post, I had writers block for Asmo's part. Anyways more contents coming soon so Stay Tuned! Stay Safe! & Stay Groovy Scooby!

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⟡˙⋆Masterlist⋆˙⟡

[yuurei20]

I've got a question if you wouldn't mind answering!

I saw that the voice actor for Grim commented that Grim always ends his phrases with the word "zo", I was wondering if it had any meaning? Or if maybe it's just something to make his character more unique? Similarly, I've noticed Ruggie tend to use a lot of "su" at the end of his phrases, and I was wondering the same thing, if it had any meaning at all or if it's just supposed to be a character quirk!

Ty for your hard work and don't feel pressured to answer this if you don't want to! 🫶🏻

Hello hello! Thank you very much, you are so kind! ^^

Yes yes, Grim's Sugiyama comments on how difficult Grim's "zo" was for him in his interview (published in vol. 1 of the fanbook).

"Zo" can have a meaning of its own (I liked this explanation on jlptsensei.com, for those who may be curious), but it is generally not used in the way that Grim is using it 🐱 He adds it just to everything!

And verbal ticks like this come up a lot in all kinds of Japanese-language media! Videos games, manga, anime, TV dramas, comedians, etc.

Ruggie's "su" is also kind of a verbal tic, and also has its own meaning:

Discussed in more detail in another post (ref: Idia's "degozaru"), the Japanese language has the word "desu," which has different forms depending on how polite you want to be!

Grim and Jade use the word in two of its more normal (least slang-like) ways, casual for Grim (da) and more polite for Jade (desu).

Ruggie is also using it in a casual way, dropping the "de" part and only using the "su," but it all means the same thing ^^

A verbal tic is even the catalyst of Spectral Soiree!

While not as often as Grim, Malleus is also known to end his sentences in "zo."

He keeps this speaking pattern even during Spectral Soiree, when he is pretending to be possessed by the ghost of an emperor.

But he then slips mid-conversation, saying "zo yo."

Leona noticing this inconsistency starts a domino effect that ultimately compromises Malleus' charade, leading to Malleus' confession (more here).

So verbal tics can be very important! ^^

Crowley's "since I am kind" might also be considered a verbal tic, as it is generally repeated in the exact same way throughout the original game (original-game-to-EN comparison here!).

I think I will add a deep dive into the various speech patterns there are to my TODO list because this post keeps getting longer ww But here are a few pick-ups for right now:

・Idia's use of "degozaru," "-shi," otaku-/net-slang and his stutter are unique to his character.

・Ace will often say "papatto," for getting something done quickly.

・Epel has many things going on with his various forms of speech, and his "kana" might count as a verbal tic?

・Vil will often say "choudai" (apologies for the twitter link)

・Lilia will often use the adjective "rippa," which is similar to admirable/splendid/impressive/respectable/etc. in English!

・Riddle will often end questions with "dai"

・A line that Riddle also says before battles, Riddle will often say "ii dokyo ga oari dane," which is something like "to have some nerve." Other characters will say variations on "ii dokyo" (usually Vil and Leona), but this full phrase is unique to Riddle.

・Riddle will also often say "owakari dane," usually to mean "You understand?," as in, "if you don't do as I say, you understand what is going to happen to you, yes?" (re: he is going to behead someone).

・Maybe my favorite, Rollo will often end his sentences with "kane."

In the way Rollo is using it, it is just another verbal tic, but then there is the Bell of Salvation from the event or 救いの鐘 in Japanese:

Sukui no Kane. "Kane" means bell!

Rollo is ending so many of his sentences with the word "bell" ^^ It is wordplay!

Language is personalized to each and every character in the game, to the point that most of the time (on JP) you can tell which character is speaking before they even enter the room based upon verbal tics and honorifics ^^ It is all very interesting, but unfortunately all very impossible to put across on EN!

[popironrye]

Max's reveal at the end of The Lost Boys is another one of those scenes I've been overthinking about. Particularly the few seconds post revelation that the boys were all dead.

When Max and Lucy return home he takes little time to head to where David died. An obvious choice given the fates of the other boys what with Paul being soup, Dwayne blown to pieces, and Marko's body being way back in the cave.

In the background Sam, the Frog brothers, and Lucy are pretty loudly arguing and talking over each other in the other room but this scene is eerily quiet. The scene plays out is a realistic view of mourning. Max's actions here are rather tender and you can tell by the look on his face that seeing David like this does have an affect on him.

There's a blatant pause. I like to think that was Max grieving, coming to terms with what's happened. His boys are gone, probably reliving a lot of memories. It's never revealed, but I choose to believe Max turned David first, and the following boys were slowly turned the same way Michael was, by drinking Max's or David's blood. And I headcanon he was turned a long time ago, meaning Max had a lot of years with the boys. He is shown as hostile in the beginning to them when they come in the video store, but I like to think that's just Max wanting to keep a reasonable distance to keep suspicious eyes from prying (and to keep things a twist for the audience) especially since he's playing the childless bachelor as that's what's has worked for them for so long so far (although come on Max, if you played up the single father to Lucy, you would have totally won. Just saying.)

But what about the rest of that scene? Max recovers pretty quickly from losing his boys. While some may argue it's because Max didn't really care for them, I choose to believe that's not the case at all. I think he's putting on a face to remain calm in front of the others, especially Lucy. Since he still wants to turn her into his vampire bride, even without his boys to mother. Perhaps he could just be thinking he can start his vampire boys over with others boys, but then there's THIS scene!

The scene where Star reveals to the audience that David was hiding Max's involvement from her and Michael. David wasn't just keeping Max a secret, Star declares that he was "the secret David was protecting." Key word being, 'protecting'. Max's identity as the head vampire is important and it's in his best interest for the vampire boys to be seen around him as little as possible. Especially since Sam figured it out early on in the movie he was one of them. And so, David and the boys choose to act on their own most of the time. Not only to give themselves the feeling of carefree freedom, but also to keep Max safe. And it's clearly a situation they all like, or at least tolerate, as while there is no hope in them turning back if Max were killed first, but David and the others had no intention of ratting him out and letting him die.

My favorite part of this scene. Max's smile. After Star says her line, Max nods in agreement, but the smile afterwards is interesting. I think he looks proud. Proud of David. Proud to have heard that David, even as he died, was protecting him. I choose to believe Max cared a lot for the boys and I also choose had he be given the chance later, would feel very lonely without them.

[muzyoshi]

Miles Edgeworth's Secret

This post is purely for documentation purposes, and also to inform anyone who may not be aware. This post will contain SPOILERS for the end of Phoenix Wright: Trials & Tribulations, so proceed with caution.

During Case 5, Bridge to the Turnabout, while playing as Edgeworth, you are presented the opportunity to peer into Iris' heart. Specifically in regards to a secret she is withholding from Phoenix, someone she was romantically involved with. During which, if the player fails to present the correct evidence specifically for the second Psyche-Lock, an interesting conversation concerning the nature of secrets occurs.

I have seen talk of this dialogue, but no footage or screenshots, so I took the liberty of getting them myself. The full conversation and my further thoughts will be found under the cut.

You MUST present incorrect evidence during the second Psyche-Lock. This dialogue is laughably easy to miss, which is why I could find zero footage of it. (Sorry if the formatting for this sucks)

(Interesting to note: the music stops playing here.)

Incidentally, Iris' secret is that she developed romantic feelings for Phoenix while dating him in college (disguised as her twin sister). Edgeworth affirms her thoughts, confirming that he does indeed have a secret of similar nature deep within his heart and soul; "It takes one to know one." It cannot be said what exactly this secret of his is, but every real plot point behind Edgeworth has been more or less resolved by this point in the series. He found his path as a prosecutor, the truth behind his involvement in the DL-6 incident was concluded, so... What's left? Reading between the lines, this only really seems to lead us to one answer. It has something to do with romantic feelings. I truly can't see it being anything else, even with a critical mind.

Just mere moments ago, Iris had inquired as to what Edgeworth and Phoenix' relationship was. Edgeworth (famously) responds that Wright is a "dear and indispensable friend". Wonder if Iris gleamed something deeper from that comment, then? ;P Keep in mind: she makes these comments directly because Edgeworth avoided presenting Phoenix Wright's profile.

"he just like me fr" - iris probably

Now, just for completion's sake, let's see what happens when you present Phoenix's profile and break the Psyche-Lock.

I have a lot of thoughts regarding this string of text from the two of them. This is a huge reach from an admittedly shipper-crazed brain, but aren't Edgeworth's retorts here... interesting? He does not know this girl, but he knows that the two of them are important to one another. We can assume it's likely that he is pushing for this for Wright's sake, rather than Iris'. At this point it's fair to say that Edgeworth has some basic understanding of her secret (the feelings, at least), and he doesn't benefit from her telling Phoenix her secret. So why is he adamant that she does it? Especially when he's, apparently, holding a secret of similar nature himself? Projecting, perhaps?

"But it's pointless..." "Why would you say that?"

Why indeed.

(EDIT) I was thinking about this feverishly, and I had another thought. What if the "darkness in his heart" and his "secret" has something to do with jealousy? Still in context of romantic feelings... it starts to make sense that this could fit into the puzzle as well. By this point it was already established to Edgeworth that Phoenix and Iris share an intimate connection of some kind, and with all of this pressuring (including the words the two of them share before Edgeworth leaves the Detention Centre), it sort of adds up. "Uncovering the truth" in order to "get rid of the deep-seated darkness in [his] heart" - could this refer to closure? As in, if Iris comes forth to Phoenix Wright with her secret, and there is some level of reciprocation, would this make Edgeworth's own secret/feelings "pointless" to confess? I wonder.

One last note I'd like to make is that this is the first time we view Edgeworth through the 'protagonist lens', and that a great deal of care was put into having the player truly feel like they are Miles Edgeworth in this moment. His mannerisms, choice of words and thought patterns are decidedly very different than Phoenix's when you are in control of them, as I'm sure most people would agree. Therefore, I feel comfortable proposing that a lot of what he says here isn't filler, and in fact is very deliberately worded.

I think this post also deserves a spot here.

Diehard Narumitsu/Wrightworth shippers are likely already aware of this conversation's existence. However, due to the circumstances necessary to see it, I wasn't able to find any screenshots. I hope this was interesting to read, at least... Thanks for reading!

[pianostarinwonderland]

maybe skully isnt dead 🤯 [half copium half srs]

listen. ik ive been on copium for a while. ik we all are, ive seen twitter, tumblr, and everyone’s tags on my posts when they reblog

BUT PLS HEAR ME OUT. IM SO SERIOUS RN WHEN I SAY: if u wanna be technical about it, if u wanna stretch it out somehow, you can argue that the game never outright states that skully is dead, only that the skully we met was from hundreds of years ago.

“but mamsir pianostarinwonderland, how in the fuck can that be???? we HEARD that invisible kiss” LET ME COOKKKKKK 🔥🔥🔥 I SWEAR EVERYONE, I AM COOKING U JUST HAVE TO HEAR ME OUUUUUUUUUUUUUT— knocked out

Ok serious time, let me mansplain to you all the possibility of Skully being alive

Establishing first of all, Twst has kept Skully's nature vague

Simply put: we don't know if Skully is human. In his live 2D, Skully's ears are completely covered. Even in his illustration, we can barely see his ears. It's an interesting design choice. However, in his chibi (which wasn't revealed until Episode 5), we can see his ears aren't shaped like a fae, but are round like that of a human.

However, it's pretty hard to think he's human either, when we consider his "moshi, ne moshi" greeting in Episode 1 and its connection to the supernatural. Voiced, to be noted. Exactly what kind of creature he could be is currently unknown, but because this part was voiced, it's something we need to pay attention to at the very least.

In regards to his mortality, the only clue we're really given is Skully himself saying that he may never meet us except through Halloween, which implies a lifespan similar to a human or something similar. But Skully doesn't know how far into the future that the cast is from. Heck, does he even know of his nature?

Now, addressing that invisible kiss...

I feel like this is the main thing that told all of us that Skully is long gone. Heck, if you catch me in my right mind, I might just tell you that yeah, that should be enough proof that Skully is dead! Little signs from the dead such can manifest in similar ways to what Jamil and Leona sensed: hearing a kiss and feeling a kiss on your hand.

(unfortunately i'm not in my right mind so you're getting my dumb reasons why i'm arguing for otherwise)

However, if Skully is gone, I find it interesting that this is the way they decide to show it. We already know from the very first Halloween event that ghosts can manifest all year round in Night Raven College due to the high concentration of magical power in the area. Outside of that, they cannot be seen. If they really wanted to confirm with the audience that Skully is a ghost, they could have had him appear as such at the end, when they all returned to Night Raven College.

But they chose a scenario where people can draw a lot of conclusions from it: Is their senses getting fucked over as they wake up? Are they still reeling from the magic of the book? (though rationally, we know that Leona is not one to be easily stunned, so the first question is at the very least easy to dismiss)

I've also seen some people theorize that he's using invisibility magic during the invisible kiss scene. And well, while I find that funny, it makes me wonder if he could be some other kind of spirit that's not dead. Like an undead of some sort, which the residents of Halloween Town are. Heck, Azul's card line about Skully talks about how he seems to fit right at home with the Halloween Town residents. Again, we don't know Skully's true nature, but the possibility of him being a species that can turn invisible is interesting.

Moving on, we have what Dire Crowley stated about Skully

At the end of the event, Crowley tells us that he found Skully’s portrait while rummaging through the storage and shows it to us and the 11 boys who went inside the book

What he tells us is that Skully J. Graves is a NRC graduate from hundreds of years ago, before Crowley was Headmage. Note that he only was appointed for the position 100 years ago; the Skully we met is at least from around 200 years ago. During his NRC years, Skully got to share Halloween to NRC. It was a hit, and when he graduated, he spread Halloween all over the world in his travels.

I'd like to take a little detour first to discuss something that's been weighing on my mind: Some people have thought that Crowley is lying to us when he speaks about Skully and his achievements, but... I don't see why he would lie. For one, there is a decent chance that Crowley might not have gotten to see Skully. Even if he did, it's even more unsure if he was involved in Skully's affairs.

However, there's one main reason why I do think that Skully got to live a fulfilling life instead of facing an overblot that killed him or some other tragedy. I'd like to dedicate a longer post to this matter, but to make it concise, I think through Skully, Twst is starting to establish something new regarding their history. I think that historical teachings, folktales and stories, and rumors that are well-known tend to be lies or twisted truths. Whereas those that are obscure and not known are actually what occurred. Skully is called the King of Halloween who's done so much to spread the holiday to the world, yet not even NRC students, who should be the first to know considering that Skully is an alumna, know of him. Although there may be other reasons why that's the case, I like to think that at the very least, Skully's obscurity indicates that he did live the life he wanted and succeeded in working for a future that generations after him can enjoy.

Anyway, that actually isn't the main point of this section of the post, but I kind of want to air that out first. The main point is that Crowley only really said that Skully is a former NRC student from hundreds of years ago who traveled around the world to spread Halloween. But he never told us where he was buried or whether he saw his ghost roaming NRC. He never said anything about Skully being dead.

He probably said the hundreds of years ago bit, carrying the assumption that of course, Skully may have passed away. But we have to remember that we have long-living species in Twisted Wonderland. Fae that were students 200 years ago are very likely to be alive now. Crowley himself is a long-living creature, having been Headmage for 100 years. I think with that in mind, it's important for him to emphasize that Skully's gone if he really is. But he never mentioned it. Therefore, there is a good chance that Skully might just be somewhere else. That or Crowley just doesn't give a fuck where his alumni go, and I might be thinking too deeply about the absence of certain words. Honestly, that's a pretty good chance too.

Lastly, we have the scene where Jack Skellington gets shot down but survives it

Here's where it gets a bit more into speculation, but you're going to have to hear me out.

In the movie, Jack Skellington gets shot down by the military for impersonating Santa Claus. When the Halloween Townspeople watched it, they all despaired, and the mayor started declaring to all that Jack has been blown to smithereens and proclaimed him dead.

But that's not what happened: we find Jack landing on an angel's statue, alive and definitely not blown to smithereens.

And considering that Skully is still very much twisted from Jack Skellington... do you think the writers are pulling a similar move? Making us think that he's dead, just as the townspeople thought he was dead, only for us to learn eventually that he's alive.

This of course depends on what happens eventually in the sequel. From the way things are proceeding, what happened in the Lost in the Book with TNBC is events prior to the movie, and we could very well have the sequel be set during the movie events. (If you ask me, I kind of doubt that actually. I feel like Skellington got inspired by Skully's love for Halloween, enough to stay true to his identity as the Pumpkin King, which would mean the movie wouldn't happen the way we know it. So if anything, I feel like TNBC 2 would focus less on the actual movie and more on the side games where Oogie takes over Halloween Town and even kidnaps Santa and other people, but I admit, that's a stretch, especially considering that we will get Santa giving Halloween Town a taste of Christmas)

Of course, this post is really just to let some of my copium out. Rn, it's still safe to assume that yea, Skully's dead. And though I am coping hard for Skully to be alive, with the way Twst treats the dead, it's not exactly a bad thing. Ghosts continue to stay in NRC like they're living people. They honor the dead, and let the dead live among them. And even if he is in the afterlife and not stuck in the mortal plane, I have faith that Skully did live a fulfilling life that may have been forgotten but clearly changed the world. :'D

[k-s-morgan]

"many people insist he was in the Blitz ( I don't mean fics, I don't mind that, I mean in canon discussions) so my post was specifically for the Blitz. For the 40's bomb, that you brought up, not my post, Tom left soon after, 7 days after. And as for the '44 bombings- Tom has already killed 4 people by that time- FOUR. I think it's safe to say death and suffering of the people around him wasn't one of his concerns.

Tom's fear of death doesn't have to come from bombing. Plenty of people fear death that had never been bombed. It is stated that his fear of death is because he thinks himself above all humans, it's in relation to his power, he says this to Dumbledore at 11 BEFORE ww2 started. He already said 'mom can't have been a witch because she died'. But yes, this post was about Dumbledore not sending Tom into the Blitz, like many people say, as if Dumbledore personally delivered Tom to the Nazis."

What do you think about this argument? I've written fics of Tom witnessing the Blitz. I thought that it was canon but I have had people argue that it is not. What do you think?

Hi! That's a really interesting topic, but one I came to dislike because it feels like most people have very black-and-white takes on it. I actually got involved in one of such conversations just recently. Maybe even the one you quoted from? I don't recall at this point.

Since I prepared a lot of materials for ATLWETD before writing it, I can give you a full answer supported by the research and some news clippings. It's going to get long, though!

So, first - the Blitz. Indeed, Tom never had to face it. It lasted from September 7, 1940 to May 11, 1941, and Tom spent this period at Hogwarts. However, the Blitz was neither the start nor the end of London bombings - and bombings of the surrounding areas and UK in general.

Citing from Mark Clapson, "Air Raids in Britain, 1940–45":

"A common misconception of the Blitz in the United Kingdom is that London was the only city under attack from September 1940 until the Nazis also turned their fire on other cities and towns in mid-November. Yet even before the Blitz on London began, other urban areas in the UK had been attacked from the air.

As the Battle of Britain drew towards a defeat for Germany, the first significant raid on a major British city took place in Cardiff and Newport on 10 July when over seventy German planes attacked the South Wales docks. In July and August, Birmingham, Coventry, Hastings, Liverpool, Newcastle and Southampton were all subject to air raids, signifying that when the main Blitz on the provinces began, industrial and coastal towns and cities were going to be key targets for the Luftwaffe … As Tony Mason shows, the first raid on Coventry had been on 18 August 1940, when both industry and housing were bombed."

Most of these locations are within the 200-300 km of London. Hastings is less than a 2-hour drive away. People don't live in a bubble, so hearing and reading about the bombings getting closer had to be terrifying for a child-Tom.

Now, getting even closer to London. The timeline taken from this website:

"16 AUGUST 1940

A series of raids were leveled against Norfolk, Kent and the Greater London area with airfields as the main targets, including Manston.

London suburbs were bombed, including Wimbledon and Esher, where shops and houses were hit. Bombs on Maiden, Surrey, railway station killed staff and passengers and put both lines out of operation. To the north, Gravesend and Tilbury were attacked, and bombs fell on Harwell and Farnborough aerodromes."

Tom would have definitely experienced the impacts of these bombings at least in some ways because the sound of explosions travels miles ahead. People would be in an increased state of panic, not knowing if London was going to be the next target any other second now.

A photo of the news clipping from August 17, 1940, titled: Germans Bomb London Suburbs:

From this website:

"A still earlier, and better recorded, raid took place the night before, on 15 August. 30 bombers targeted RAF Croydon aerodrome, which was then considered part of Surrey rather than London. Several people were killed, with damage to the aerodrome and nearby housing."

The distance between Croydon aerodrome and London is just 10 miles. Again, this is something the impact of which Tom would have very likely heard personally - add to this the feeling of fear and uncertainty over when and where the next attack is coming, and you get a recipe for a serious psychological trauma. Tom was only 13 at this time.

From the same website:

"Many sources state that the first bombs to drop on London landed in the early hours of 22 August 1940, affecting Harrow and Wealdstone (technically not then in London, but within the London Civil Defence Area). These caused damage to two cinemas, a dance hall, bank and houses, but nobody was killed. A further strike on 24 August [in London] killed nine people, and prompted retaliatory attacks on Berlin."

So, by these accounts, Tom experienced the bombing of his city directly at least once and likely heard the impact of bombings from the suburbs at least twice. Could be more - there were several bombings close, and we have no idea where Tom was in those specific moments. He could be taking a walk to the West End, going to the suburbs with his orphanage, and so on.

He was lucky to miss the bombings that followed (until 1944), including the Blitz, but I really hate when people dismiss the psychological impact of seeing your city in ruins, witnessing the massive destruction, and not knowing whether the bombs are going to drop again today. It's not like the Germans announced, "Hey, the Blitz is over, you're safe now!" Of course Tom thought he might experience another bombing, and of course this thought scared him.

The summer of 1944 was terrible for London because that's when the V1 were dropped. Quoting from The Blitz Companion by Mark Clapson again:

"Yet during the summer of 1944 worse was to come, and it would manifest itself in a frightening new weapon. For some months rumours had been circulating in Britain about a flying bomb that had no pilot and which could be guided almost mysteriously through the air at great speed to attack the capital city. This was the V1, the ‘V’ standing for vengeance … The V1s killed over 5,000 people and injured 15,000."

The timeline for these attacks is here.

This one is trickier, though, because based on Harry's era, by 1944, Tom already came of age by wizarding standards. So there is an argument that he could finally use his magic and leave London. On the other hand, he was still a minor by Muggle standards, and we have no idea what Hogwarts rules and laws of his era stated - meaning that it can all be up to interpretation.

For those who prefer to imagine that Tom was there: maybe back in 1944, a wizard had to be 18 to be considered an adult, and the limit was dropped closer to Harry's era. Or there was a rule stating that Hogwarts students must continue to live in their assigned places up until they graduate, especially in a Muggle world - because if a minor disappears from Muggle care when they are still enrolled in a magical school, it could trigger the involvement of authorities, which might be something Hogwarts would want to avoid.

We can't make strong arguments here because the canon says nothing about these details. So, if someone wants to imagine that Tom missed the bombings in 1944, there are very logical reasons to support such a view, but if someone wants him to have experienced it, it's also easy to imagine.

Either way, whether Tom lived only through the bombings of 1940 or both 1940 and 1944, to deny that he was affected by the war is to reject the most basic human psychology, in my opinion. Anyone would be terrified when they are surrounded by destruction and death, when they are confronted with the idea of their own mortality and when they feel helplessly trapped. And Tom saw the war horrors every summer even when there were no bombings.

I'm a war victim myself, and I don't feel safe on the days my city is not attacked. Because I know that the situation can change every other second. The psychological effect of bombings is devastating even when you aren't physically affected.

Does Tom's trauma justify his canon actions in any way, though? Of course not. Did his war trauma cause his fear of death? I think it was definitely at least some part of it. How couldn't it be? It's exactly because he considered himself above others is that his fear could be this amplified. He probably hated sitting stuck in a dangerous zone with the people he despised, threatened by the beings he didn't consider proper humans.

Maybe the war didn't give birth to Tom's fear of death, but I think it obviously contributed to it heavily since, again, he was living in one of the very targeted places, and he lived through at least one London bombing.

Also, yes, I do think Dumbledore and Dippet were absolutely abhorrent for sending an orphan child to a war zone when it was so easy to give him shelter. They were responsible for Tom's well-fare, and this responsibility shouldn't disappear in the summer. Tom could have easily been killed - again, it's not like the Germans announced when they were going to bomb or not bomb London and other areas. Letting him stay at Hogwarts or finding some family to take him in - or an inn! - would have been beyond simple.

Dumbledore also definitely knew Tom is related to a Slytherin bloodline, so there had to be families willing to take him in for this alone. Sure, it could be dangerous in other ways for a child as self-focused as Tom, but he was still a child, and his safety had to come first.

Finally, there is an argument that Tom was moved along with other children from London since it was supposed to be mandatory. This is also something that can be looked at from different angles. The reality of people following a law always differs from the theory of it. There were many issues with evacuations at that time. About 7,736 children died in London from the Blitz alone - not everyone could evacuate, especially the poor. Maybe the Wool's lucked out, maybe not. There are claims that only children within the ages of 5 to 14 were evacuated. But also, if Tom was moved, then there is no telling if he was more or less safe there since the location is unknown. It once again depends on what a specific person wants to imagine as a part of his life.

Now, anon, as for your fics in particular: if you wrote about Tom witnessing the Blitz, it's all right - I mean, the entire universe of Harry Potter is made up. Maybe, in a world where these characters might exist, the Blitz could have happened differently - why not? We have no idea about the dates of HP canon-Blitz. The events there don't have to take place in our specific world.

So, strictly speaking - yes, it's not canon, but more in relation to our world than to the world of HP.

[curio-queries]

Are You Sure?!

(Is this the end?!)

It's finally time for my AYS wrap-up post! (goodness knows I've rambled on about this show enough, maybe there'll be more to say in the future but this is likely where I'll conclude this series for now)

Link to my AYS MasterList

Promotions/Finances

One of the points we discussed quite a bit while watching this show was how paying attention to promotional content and financial implications can help us discern a little regarding the inception of the show and how that influences the final product.

I'd assume this methodology is similar for all of the content Hybe produced but I admittedly don't watch much that's outside the scope of BTS. If any of you have any insight on how this is structured for other groups, I'd definitely be interested to hear about it! Anyway, regarding AYS, we've been theorizing that the US episodes were filmed on speculation and could then have been used to shop around to brands for sponsorships which would continue to fund more trips.

Product placements:

Ep.1 (USA): None (edited to add Nike, check out the reblogs for more on this)

Ep.2 (USA): None

Ep.3 (Jeju): Clothes

Ep.4 (Jeju): Vitamins & Hydration Spray

Ep.5 (Jeju): Perfume

Ep.6 (Sapporo): Sunglasses

Ep.7 (Sapporo): Sunscreen & Skiwear

Ep.8 (Sapporo): Perfume

Something else that stuck out to me during my initial watch-throughs as well was the progression of including establishing shots of the businesses they visit. There were basically none in the US episodes but by the time we get to Sapporo, these shots linger for long enough to me to notice. The signs and logos are blurred out as expected to bolster BTS's brand power but it's interesting to me that these shots just weren't included at all in the US portion.

The crew brought some very skilled operators with them to Jeju and Sapporo as evident by the gorgeous cinematography. I'm not saying they didn't have the same level of skill in the US, but there may not have been the same directive to focus on this or the level of equipment needed for the crew to really show off.

Sidenote: I KNOW I'd made some notes also on the blurring of the various vehicle logos as there were some inconsistencies and we know BTS as a whole has previously partnered with Hyundai but I can't find my notes and I'm not rescouting the episodes right now for this. If any of you happen to remember, please share!

Bonus Footage

Something I was really looking forward to was seeing if there was any obvious reasoning behind what footage would be saved for the bonus release instead of included in the official episodes. Afterall, access to this footage was likely the main reason many decided to purchase the photobook at all so there had to be some fulfillment for the perceived value. I wondered if they might take a similar approach to Run BTS's bonus footage where there is regularly a dedicated camera capturing footage specifically for this purpose. Now that I've finally received my photobook and been able to watch these clips, I believe most of footage was separated for the bonus content for a few specific reasons:

Footage quality: There's a good portion of the bonus footage that was captured via handheld cameras with less-than-stellar quality. I'm not trying to disparage the operators' skills but there's a specific tone that non-steady-cam footage brings and it wasn't necessarily in-line with the overall tone much of the edit required. It also reminds the audience at least subconciously that our guys are being followed by a camera crew which typically isn't the intent of BTS content and definitely was minimized as much as possible during AYS. More on this concept in the next point. Example: JK packing his suitcase in USA. That footage is very pretty shaky.

Fourth-Wall Breaks: Is this a phrase y'all still understand these days? Again, the idea of reminding the viewer that this is footage being captured by cameras and microphones and we're not just a fly-on-the-wall. There were plenty of moments in the Bonus footage where JM/JK call attention to the fact that they're filming a show or where the crew interacts with them. Quite a few of these were specifically to highlight photo ops (another subconscious reinforcement of the value delivered with the photobook purchase. the viewer can see footage of JM/JK taking pics that only appeared in the photobook they just flipped through and feel a further connection to the moment). Example: JM and JK taking each other's pics in front of the restaurant in Sapporo.

Pacing: I would categorize the rest of the bonus footage as micro-moments or extensions of scenes we did receive in the full episode but if included as-is, would have broken the desired pacing of the episode. There's no flow to worry about with the Bonus footage rather than chronologically so they're welcome to throw everything together and it doesn't feel like a storytelling misstep. Example: Jimin actually eating and chatting with V and JK at the seaside restaurant in Jeju. Including this would have broken the flow of the edit where they had the sped-up footage of JM describing the history of Jeju while the others just ate.

I was honestly surprised by the amount of editing present in the bonus clips. I'm sure there was always a plan to release some extra footage some way but it wouldn't surprise me if this decision was made early enough that they left much of it in queue for the first rounds of edits because they knew they'd be charging for access to it. Having at least some basic editing again helps justify the value.

Sidenote: there is no reference to 'keep going' in the photobook. So we have no further clues there. There's a couple of 'Go JK' or 'Go Jimin' captions but not 'keep going'.

Title Cards

Y'all I had been so confused by these from the very beginning but probably not for the reason you're thinking. I made note of which scenes had title cards and exactly what Jimin's voiceover line stated with each one. Mostly, WHY they decided to include the ones they did and the inconsistencies with what activities got a title card and which one's didn't.

Ep.1 (USA): We're having our first meal in America

Ep.1 (USA): It's fun to ride kayaks

Ep.2 (USA): We enjoy a yacht ride

Ep.2 (USA): We're eating our final meal

Ep.3 (Jeju): We're going climbing

Ep.4 (Jeju): A three-way split is fun

Ep.5 (Jeju): We are going for a swim

Ep.6 (Sapporo): We're on a train

Ep.7 (Sapporo): We are at a ski resort

Ep.8 (Sapporo): I love the convenience store

We know from the bonus footage that Jimin recorded many more than they used. Episodes 1 & 2 have two each and the rest only have one. Now, I'm not trying to say that they were trying to make those episodes seem more full than the others...but I'm not NOT saying it either...

It's just also very interesting which ones they decided to use as well. Prior to the footage of Jimin recording it, I'd wondered if they'd just asked Jimin to make something up about whichever activities were the most memorable for him but that definitely wasn't the case (thank goodness, our guys do NOT have the best of memories with things like this).

Follow-ups

Queries from my first AYS episode post:

Will there be any tonal shift? Specifically, now that JM and JK have some uncertainties about the viability of their US adventure. Will it seem like they're compensating?

I don't think so, not for this reason at least. It seemed more like this production was naturally growing into what it would become. There were definitely some tonal variances, especially how 'action-packed' ep.3 was but I still feel like it was not too far of an outlier and more just helping them find what works best for this type of show.

We know Tae is going to be in at least the next episode. How is this going to handled narratively and will there be any visible contradictions from that narrative in the production?

I mean, there was definitely some variance in the story from the episodes to some of the bonus footage but I think that was generally just the guys being their entertaining selves.

At what point was the final quantity of locations and shoots locked down? And when/if will JM and JK make mention of this.

Genuinely, I think this was only finalized when they couldn't actually schedule anymore trips! It's definitely an interesting approach when you consider how intense the BTS production engine must be, especially in the lead-up to the members' military service and trying to prepare all of the releases that we would get while they were away. It's also one of the things I think JK was referring to in that clip from the US where he says he's never travelled so freely before. To start a shoot of this magnitude and not have some firm deliverables for the end result nailed down is pretty wild. I'm so glad it worked out for them as well as it did.

If/How will the music promotion narrative shift? It's clear that this episode could not have been released until after MUSE's release once they decided to keep the footage of JK listening to Who. But when was that decision made?

Interestingly enough, I think this show was never really designed with music promotion in mind. Yes, they definitely couldn't have released it until after MUSE's release with the inclusion of that Who-listening session but that easily could have been removed or included in the bonus footage if a delay was needed. I think the timing did work out great for it but yeah, overall, music promotion was not likely one of the main drivers of this show.

On a somewhat-related note though, one thing has had me wondering from the beginning. Y'all remember the end of ep.1 when JM says he doesn't think this footage will air? Just what experiences does he have with content they've filmed that we DON'T get? Just what else have they hidden back from us? haha, we want it all!

The End

Okay, that's enough from me on this topic for now. I'm sure there's more we can chat about with this show and I absolutely can't wait until our guys are back and can travel again! I hope they're able to use this show as an excuse to do things they want that they typically wouldn't.

Thank-you to everyone that's been joining me in these chats. It's been so lovely to chat with many of you about this show and it's beyond humbling that people are at all interested in my random observations. I'm so happy y'all were here with me experiencing this great show together.

[pale-opal]

I Listened to "The Wisdom Saga" and I Have Some Things to Say - Part 1

If you haven't listened to this part of "Epic: the Musical" yet, feel free to click off this post and do that because not only are you doing yourself a disservice, I will also be giving ALL of the spoilers under the cut, and the Epic sagas are best experienced blind. It's free to listen to on YouTube, Spotify, and Amazon Music, and it's also available to buy on iTunes.

Okay. Did you listen to it? You did? Great! Now let's get into it: 1. Legendary- This is my favorite song in the saga. - Telemachus is precious and must be protected at all costs - The "l-l-l-l-legendary" is giving Hamilton (2015), not gonna lie. - I mean that in the best way possible. - Some people have pointed out that Athena's melody can be heard in the background, and we know from past songs that when her theme or ticking sounds can be heard when she's not present in the song, that means that she's just observing to see what's going to happen before getting involved. - And that's a good thing, considering what's about to happen. - But we'll get to that. - I want to talk about this part of the chorus for a second:

"Give me sirens and a cyclops Give me giants and a hydra I know life and fate are scary But I wanna be legendary" - I just think that first line is so ironic because Odysseus fought both sirens and a cyclops. - I also think the giants line is interesting, since Odysseus almost got sent to the Land of the Giants after a certain someone opened the wind bag (*cough cough* Eurylochus *cough cough*). - Now I wanna talk about these lines:

"There are strangers in our halls Trying to win the heart of my mom But she is standing tall 108 old faces of men who call me small They keep taking space and it's not much longer we can stall

Cause they're getting impatient, dangerous tooAnd I would fight them if I was half as strong as you Somebody help me, come and give me the strength Can I do whatever it takes to keep my mom safe?" - While listening to this song, I got reminded of when my 10th grade English teacher covered the original Odyssey.- A phrase she kept using to describe how the suitors were treating Penelope and Telemachus was "eating [them] out of house and home." - To sum up what she meant by that, the suitors are basically taking advantage of the concept "xenia", which is an idea the ancient Greeks had. They believed that visitors were under the protection of Zeus, and that they had to be treated with respect. - Odysseus and his men try to invoke this when they first meet the cyclops. - Because of xenia, Penelope and Telemachus are sort-of "barred" from kicking the suitors out. - And even if they could... there are one-hundred and eight (108) of them. They're horribly outnumbered. They could easily be overpowered. - Now you may be asking yourself: "How come they haven't been overpowered already?" - The original text actually gives us an explanation for that: Penelope started working on what was known as a "funeral shroud" (a fabric a dead person is wrapped up in before being buried) for Odysseus' father. - She told the suitors that she would choose one of them to marry once the shroud was complete. - However, what she DIDN'T tell them was that she was going to undo some of the work each night, thus allowing her to work on the shroud for an indefinite amount of time, or until Odysseus came back. - ...or, at least, that's what would've happened if the suitors didn't find out what she was up to. Hence why their so antsy to find out which one of them she intends to marry:

"Where is he? Where is the man who'll have you to wife? Oh Where is he? Where is the man with whom you'll spend your life? Cause it's been 20 years (20 years) And we still have no king" - And now it's time to talk about the only antagonist in the entirety of "Epic" who is a clear-cut villain with no redeeming qualities: Antinous.- I want this man defenestrated immediately. - You know how Telemachus is a young man who respects women, loves his dad, even though he's never met him, wants his mother to be happy and safe, and also wants all of these sleazy men out of his house? - Yeah, okay, well, Antinous is the complete opposite of him. Just take a look at this interaction between the two of them (cw for implications of SA):

"[ANTINOUS] Boy! When's your tramp of a mother gonna choose a new husband? ... Why don't you open her room so we can have fun with her?

[TELEMACHUS] Don't you dare call my mother a tramp! ...

[ANTINOUS, spoken] I just did! Whatchu gonna do about it, champ?" - And you want to know what Antinous does after saying all of this? - He challenges the son of the woman he supposedly wants to marry, the same son who he sees as a child despite him being twenty (based on "108 old faces of men who call me small" and how he calls Telemachus "boy"), to a fistfight. 2. Little Wolf- This was the song I was the most excited for prior to its release, and I am pleased to say that it does NOT disappoint. - One thing I noticed before the song came out is that Poseidon refers to Odysseus and his crew as a "pack of wolves" in "Ruthlessness". - Considering how animal symbolism is used in this musical, Telemachus is seen as being in the same vein as his father, but is called "little" because he isn't quite on the same level as him... not yet, anyway. - But I'm getting ahead of myself.

"Fight, little wolf, fight Wanna entertain me? Bite, little wolf, bite Let's see how you take this Strike, little wolf, strike Wanna be a man? Then Fight, little wolf, fight, little wolf, fight" - The chorus is literally a bunch of grown-men trying to pressure Telemachus, who they see as a child, mind you, into fighting a man who is not only older than him, but who is also implied to be stronger, too. - They want this boy dead, and that is apparent before they line "die, little wolf, die, little wolf, die" even leaves their mouths. - I can't wait for "King" to come out. I want these posers to get what they deserve. - Oh, and as for Antinous: "You've made your worst mistake here, might be your last one too You'll have run out of bones to break when you and I are through I'll teach you all the lessonsyour daddy never couldThis cruel world doesn't give out presentsjust for being good" - While I do agree that Telemachus needs to become less sheltered, beating him to death is NOT the way to teach him how harsh the world is. That lesson is going to do him no good if he has to die to learn it. - But, of course, Antinous doesn't care about that. He only cares about dealing with the person standing between him and "his" woman. - The further I go into this, the more I want Antinous chucked out of a window. - But it's okay. It's fine, everybody. Because Telemachus' real mentor soon arrives on the scene:

"[ATHENA, spoken]Need some help?

[TELEMACHUS] What's going on here?

[ATHENA] Is your plan to stand around? Cause I suggest you fight back

[TELEMACHUS] I don't know how" - Okay, so two things: 1. Athena being totally down with helping Odysseus' kid despite this being the first time they meet is awesome. 2. Telemachus wants to fight monsters, but he doesn't even know how to properly punch a guy. I love this. He has Odysseus' heart, but not his "mind" so to speak. He wants to do all these serious and impressive things, but when the time comes for him to do so, he hasn't the foggiest idea as to how.

"[ATHENA, spoken] Uppercut him, now.

[TELEMACHUS] Woah, how did I do that? Is time now moving slow?

[ATHENA] No, I just made your thoughts quick" - I'm so glad we get this explanation of how "quick-thought" works! It doesn't slow-down time. It speeds up the mental faculties of the person under its effects, and essentially puts them in a "bubble" where they can interact with the outside world in-real time while perceiving (and acting?) faster than their surroundings (I don't know if Jay explained this anywhere else. If he did, I'm sorry for being redundant). - And then we get these absolutely raw lines from Athena: "I've no respect for bullies Those who impose their will I've seen plenty enough to truly understand this kind of filth Let's teach this dog a lesson In front of all his kind One young wolf has a larger heart than all these men combined" - THIS IS WHAT I MEANT ABOUT THE ANIMAL SYMBOLISM! Dogs are considered by many to be the descendants of wolves. A genetic relative that is not quite as feral or quite as aggressive as a wolf, even if they're wild. And based on how Athena calls the suitors "filth" (ha!) and puts extra emphasis on how wolves are stronger than them, I wouldn't be too surprised if she was talking about domesticated dogs. And that case, they don't stand a chance against - oh, wait. Hold on a second: "[ATHENA, spoken] Ooh, maybe I pushed you a bit too hard!

[TELEMACHUS, spoken] Ow..." - I can totally imagine Telemachus getting a headache or a nosebleed here. It's his first day getting into a fight, and the first time he's experiencing deus ex machina. Ya boy is not qualified for all of this. He needs a break. - Oh, and then we get Antinous being butthurt about Telemachus actually managing to rough him up a little:

"Go back and cry in your corner Make sure your mother hears If she won't choose a man to adorn her We'll bring blood and tears" - Again. Defenestration. It would suit Antinous really well.- The next song is dedicated to Telemachus receiving an answer to this question: "Athena, why did you come to my aid?"

3. We'll Be Fine - I have a confession to make: I thought this song was going to be boring. - I am SO glad I was wrong. - I also thought that this would be a Penelope song. - I was wrong about that too, but I'm sure she'll get her moment eventually. - One thing that this song accomplishes musically is that it combines the melodies of "Warrior of the Mind" and "Legendary" together, making something that sounds new and different. It feels like Athena and Telemachus really see each other as friends, and that Athena felt the same way about Odysseus - she was just to focused on being his mentor to acknowledge that until now. - Oh, and we also find out that Athena has been dealing with some serious guilt since the cyclops argument:

"I had a friend before, and He was a lot like you I helped him fight through war, but He had his demons too And then we grew apart Then his light went dark

And so, I thought Maybe, if I made a different call Maybe if I hadn't missed it all Maybe, he'd be fine Maybe we'd unwind Maybe, if I help another soul Maybe, if I helped you reach your goal Life could be that bright I could sleep at night"

- This part of the song hurts, y'all. - Athena is genuinely convinced that if she had stuck with Odysseus then he would be home safely, and that what happened between them is mostly her fault, even though Odysseus told her to her face that he wanted to be rid of her, too. - AND she's losing sleep over this man? Somebody go get him immediately.- I really want to talk about the lines referring to light for a moment: - When I first heard "Then his light went dark" I thought that meant Athena legitimately thought Odysseus was dead. Which makes the fact that she feels guilty about everything that happened even WORSE. - And then "Life could be that bright" is just her saying that Odysseus made her life better and that she was wrong about not seeing him as a friend, and that friendship is necessary for living a meaningful life. - And you know, that kind of makes me want to grab Odysseus by the shoulders and violently shake him for shouting "YOU'RE ALONE!" to Athena all the way back in "My Goodbye". Like, no she wasn't, Odysseus, she had you. And you had her. And then you both screwed it up by being too stubborn to admit that the other person had a point. Now BOTH of you are sad and lonely. - But again, it's okay. It's fine (pun not intended). Because Telemachus is still here, listening to all of this: "Athena, I don't know who your friend is I don't know what he's like, but My time with you has been splendid The best day of my life Cause I got in a fight, and I didn't die" - He literally has doesn't know who Athena is talking about, and even if he did, it wouldn't matter, because he NEVER MET HIS DAD. - Why is this song so sad? - We're three songs deep, and I am HURT. - And it's just gonna get worse from here. - On a lighter note, Telemachus says that he has really enjoyed hanging out with Athena for the past fifteen (15) minutes, and that this is actually the best day of his life. His reasoning? He survived getting jumped! Hooray! - Wait, what? That's it? That's all took for this to be the best day of his life? Just... just how bad has his life been, until now? - ... - ...hm. "Maybe, if life wasn't spent as planned Maybe, it's time that you lend a hand I don't think he'll mind If not his friend, then mine

[TELEMACHUS & ATHENA] Maybe, to fall is to learn one way Maybe, it's all gonna turn out great I know we'll be fine I know it's light you'll find" - Telemachus offers to be Athena's friend, while also telling her that it's okay for her to move on from Odysseus. - And he still doesn't know that he's talking about his dad, I can't-- "To fall is to learn one way" = "Sometimes it's okay to learn things the hard way." - Athena had to learn that friendship was something worth pursuing with others by losing the first friend she ever had, and Telemachus had to learn to stand up for himself and come out the sheltered life he's been living by getting into a fistfight. - Light is being used as a metaphor for happiness, and that makes me happy. Because Telemachus and Athena needed a friends, and they have each other now. I love that for them. - This is also the point where the "Legendary" and "Warrior of the Mind" melodies combine. I know I said earlier that was a representation of how Athena and Telemachus friendship was forming, but I would like to off this interpretation as well: - Putting "Warrior of the Mind" and "Legendary" on the same level as each other musically could be a thematic way of saying that Telemachus is a "warrior of the mind", as it were. However, since I did say that Telemachus doesn't have Odysseus "mind" before, I would like to elaborate and say that in this instance, Telemachus is being considered to be an equal to his father due to his emotional intelligence. What he lacks for in book-smarts, he makes up for in heart.

Unfortunately, my complete thoughts on this particular saga are too long for tumblr to allow as one post, so I'll have to post a part 2 later today. We'll be covering "Love in Paradise" and "God Games" then. Furthermore, please do not confuse me talking trash about any of the characters or wanting to see them face consequences for their actions as me speaking poorly of or wishing harm upon any of the actors or crew for "Epic" or any other real people, because that is not what I am doing. I hold great respect for the "Epic" team, and I am eager to see what they do in the future. That's all I can say for now. I'll see you all in a few hours with part 2. Update: Part 2 can be found here.

[ennn]

I expect Billy is going to be an antagonist for a while and that's OK

Anti's for either Agatha or Billy are probably going to get more intense as I predict our boy Billy's gonna be antagonistic for a bit. And let's be clear, I'm not hating, or saying either are evil, or in the wrong.

That's way too simple a take for this show. In the words of showrunner Jac Schaeffer:

...we populated the show with similarly flawed individuals who are also selfish and self-serving, who are self-sabotaging, who are constantly standing in their own way. And then they were just in conflict.  Everybody is kind of an anti-hero in the show. That was really fun and felt very truthful there. 

No one here is meant to be a pure "good guy", which is I think kind of Billy's arc -- but more on that later.

And when I mean antagonist I'm talking about the characters roles in the story. An antagonist isn't necessarily a villain. Agatha is the show's protagonist as well as its main antagonist: as much as she claims she wants only power, deep down she wants a coven, a community, a family. But she is as Schaeffer puts it, "in the way of her own thing."

Billy being an antagonist simply means that his goals – or some of them at least – conflict with Agatha's. Rio has been described as a "romantic antagonist" as well because some of her goals are also in conflict.

Long text speculation post and mild promo spoilers under the cut:

Let's first get this out of the way: Why do I think Billy's going to take on an antagonist role? Aside from well, all the things that happened at the end of Episode 5, there's some clues Billy's not all who he's been saying he is:

There's a promotional video with audio lines, and you can hear Billy saying things like "Agatha Harkness can never be anything but a covenless witch" and "I do not trust you".

Billy claiming to be "obsessed" about Agatha and her biggest fan and going on the road for power should know that she is the world's most notorious witch-killer – why is he appalled about her killing and so against it? And if episode 5 is any indication, power is not what he's lacking.

Joe and Schaeffer have mentioned that Billy will be different in the back half of episodes.

A quick clip from a trailer has Agatha (covered in mud) telling Billy "Last one there is a nice person", implying that Billy at this point doesn't want to be nice. I assume, at this point, he wants Agatha to pay for her misdeeds. The yellow tint of the clip also matches with the current Road area they're on.

Now at this point I do not know if Billy was involved in what I believe is a fake trial in episode 5. I'm inclined to think it's the Salem Seven, and we get this truth of Billy as fallout. I believe he definitely didn't want Alice dead.

Now for reasons why I think it'll be okay–even interesting–to have these two in conflict and everyone should put away their pitchfolks:

They are going to come to an understanding

You know how in Hawkeye series Yelena wants to kill Barton because she blames him for Natasha's death? I think we'll get a broadly similar arc or vibe for Agatha and Billy here. And they will design it in a similarly emotionally satisfying manner.

Right now Billy's basically like everyone–including the rest of the coven–who believes that Agatha is truly what her reputation says. And that's not surprising! Agatha is masks and layers and theatrics and she's not opening up unless she absolutely has to.

It may take a few episodes but I expect we'll get that before the series end, with this sobering exchange we have from a trailer:

Why do you let them believe those things about you? Because the truth is too awful.

I don't think Billy will be the Big Bad simply because I expect at the end Agatha's going to have to choose between wanting her coven, her community of witches, and something else—power perhaps, or her son, and go back to her old ways.

And for that to happen Agatha will need to have formed enough bonds with her coven, including Billy, to make it a difficult choice.

Power, darkness, and anti-heroes

Look, Agatha is my babe and she definitely needs a win after all that awful that happened in episode 5, but if you think about it Billy being a lot like his mom is really interesting? More interesting than him just being a cute innocent fanboy.

Because if he is an anti-hero, with some darkness in him, it's an opportunity to explore some of the themes or ideas we touched on in Wandavision with Wanda and her power, and her sense of self.

Heroes don't torture people.

Agatha recognises the darkness in people, delights in it even: as touched on in interviews, it's one of the reasons why she saw herself as Detective Agnes in that spell, as an investigator exploring the darkest aspects of humanity. She's seen the worst in people, and knows how to play the villain.

For Billy to avoid making the same mistakes as his mom, he needs to understand not just his power, but his potential for darkness.

Power corrupts, and when you're born with that reality-warping level of power, it's dangerous. It's so tempting to make people do what you need them to. And it's a slippery slope once you start killing, even if it's for good reasons.

Agatha never wanted to kill her first coven, in that moment she only wanted to live. But she did, with a power she never asked for, that made it so easy to keep taking and taking.

It is kind of tragic given the circumstances that Agatha couldn't have been a mentor to Wanda at the end of Wandavision, given the events of Multiverse of Madness, because she made some valid points and they could have been a coven, given Agatha's deep-deep-buried desire for one.

And looking at all the mentor-kid pairings we've seen in the MCU so far (Parker and Stark, Clint and Bishop, Strange and Chavez, etc.), I don't think we've ever had this kind of dynamic.

Interesting power dynamics

I think Agatha is at her most interesting when she's on the back foot. As we've seen in episode one, she's not one to give up when physically outmatched, quite the opposite. She's a survivor, she's stubborn, and she's a performer.

Billy has been revealed to have the magical equivalent of a gun, and is capable of taking this entire coven hostage.

They're going to have to interact in new ways now. But now it's going to be more of a dance.

It's new danger, new complications, but also new ways to connect, and also the opportunity for a more honest relationship.

Knowledge, history, community

This point isn't specific only to Agatha and Billy but I'm reminded of Billy taking it out not just on Agatha but Lilia and Jen as well.

It's not surprising that Alice and Billy, the two youngest coven members are also the most idealistic and noble. The world has not been kind to witches over the centuries—Lilia's been chased out of villages for her visions, Jen has been attacked—and the older members of the group have done what they can to survive: How much can you blame them for being selfish in a cruel world?

Power isn't your problem, it's knowledge.

In this case I mean not just the knowledge of witchcraft, but lived experience as well.

Younger witches have to learn their community's history, and the older ones have to be challenged in their set ways of thinking, in how they've adapted, because they're not always good.

I wouldn't be surprised if there was an allegory to be made here to the queer community as well. Schaeffer has mentioned there is a large overlap between the history and persecution of witches and that of the LGBTQ community.

--

Good lord this post ran away from me. If you actually read all of that you do deserve a cookie.

[scribbleseas]

in love & in war: the one where he meets you

Description: Join Ciel, the Earl of Phantomhive, as he embarks on one of the most difficult challenges of his professional life: getting you to fall in love with him in order to become the next chairman of TransAtlantica— your father’s vast shipping empire.

Warnings: The reader’s opinions are a bit old-fashioned, and they don’t reflect my own! Besides that, I’m sure there will be some explicit content down the line, but honestly, this story is much more romcom than our usually scheduled programming. It’s just a silly palette cleanser in season for Valentine’s Day.

Author’s Note: Hi! You guys expressed that you guys like more frequent posts, and I’ve reached a bit of a roadblock on my main Ciel fic right now. I thought I would write up a quick beginning to a potential drabble series! If you guys are interested in this premise, let me know! It’s fun to write such chill stakes content for once lol. Also, this isn’t based off a particular request! I’m still playing with my ideas from those, and at this point, I can confidently say you guys are getting either a one shot or a 1-3 part series based on one. Thank you all for submitting, and feel free to keep them coming.

Happy Reading!

- Dan

| NEXT DRABBLE ⇒

MASTERLIST

In Conference

Late May, 1895

Your life was nowhere near as easy as it seemed.

Perhaps, the average onlooker might see you and presume that the expensive jewels wrapped around your neck and your fingers were the most burdensome aspect of your privileged life. Or perhaps they might have thought it would be the pinch from your stately heels or the strain from a brilliant, yet strategic, permanent smile.

Your business smile. Your future-Countess-of-Richmond smile.

But they couldn’t have been more wrong.

This very moment was exact proof of that— you were in the midst of your world collapsing. The abject shock rattling through your mind was akin to a nightmare. Your eyebrows pulled together in a contentious pout, the horrified look you used to get away with your most childish crimes from your parents.

“Marriage? Simply not.” You begged, alreadying feeling your will to fight waver under your father’s tired stare, your mother’s pained grin. “I’m only—”

“Of perfect age to begin looking for a potential partner. 22 is well past ready, I would say,” your mother answered for you.

“I would be— but—” you sputtered like a fish out of water only to inhale deeply through your nose. You needed to collect yourself. Negotiate thoughtfully and logically. That was the only way to get yourself out of this.

“Speak with intent, Y/n,” your father interjected boredly, retraining his attention on the business reports he was reading. He fixed his glasses, pushing them further up the bridge of his nose.

Speak with intent. You knew those words well. They were your solace, the lighthouse in the storm that came with childhood temperament. Your father, no matter the cause of your distress, would answer: Speak with intent.

“Right,” you cleared your throat apologetically, glancing down at your hands as they sat clasped in your lap. “Sincerest apologies, sir.”

Your father hummed, eyebrows jumping a fraction of a centimeter. He picked up his pen and scribbled his signature at the bottom of the report. Your mother’s hand fell on the nape of his neck to make him turn his gaze back up at you. He hesitated before doing so, waiting to click a stamp onto the signed report.

“I do not wish to marry,” you enunciated your words carefully, confidently. “At least, not yet,” you added, now catching your father’s attention for the blunder. “I’ve yet to meet someone I love,” you felt your face redden, a desire to run back to your room threatening to overtake your fortitude. You were only so strong under your father, the Earl of Richmond’s deliberation stare. It struck fear into the other side of conference tables, lecture halls, and courtrooms. And now, across his desk at his only daughter.

Before your father could remind you that love wasn’t the most important aspect of a successful marriage, your mother interjected gently.

“What about the Duke of Clarence’s son, Antonio? He seemed to like you,” she prompted. Wrongly. You’d danced with Antonio at the Summer Solstice gala that the Pembroke family threw annually. The man opted to use the waltz’s entirety to brag about his family’s Italian vineyards and his love for agriculture. And, of course, his admiration for your father’s entrepreneurial genius. His shipping empire, TransAtlantica, had just successfully fortified shipping systems in all of the states; a step forward from simply cycling through all major ports along the east coast.

“He doesn’t love me,” you complained, “he loves TransAtlantica. He’d much prefer to marry our family corporation!” Antonio was suitable. He was decent, but that’s all he truly was to you. It’s all he ever could be.

You met your mother’s eyes pleadingly, and she pursed her lips, fully knowing the next words out of your mouth. You had a deal. From a young age, you knew the Richmond family, the Y/l/n line, respected contracts more than all else. Since you turned 17, you had one signed by all three parties and dated.

Your mother sucked in a breath through her teeth. “I remember the deal,” she said, taking a moment to consider her own words. The corners of her lips twitched as if she was attempting to hide her amusement with you. She understood— her own father, your grandfather, was just as militant, stiff with professionalism. Promises were negotiations with terms, signatures, and stamps. There were no arguments this way. “Dearest,” she addressed your father, the hand that was on the back jumping to his shoulder, “you do as well.”

“Do you?” You challenged, indignantly crossing your arms. “I request you restate the terms, mother.”

“If we are to pressure you into marriage before you feel ready, you must consent to the courting party,” your father took the liberty of answering gruffly. He squared his shoulders, regarding you purposefully— equal parts exhaustion and respect for your endurance. He cultivated it, after all. It was a fire that burned in your family for generations, as sacred as a temple flame.

“Yes,” you affirmed, “and so, I must choose the man I wish to be with.”

“With respect to your titles— no one below your station. And he must be chosen by the end of this courtship season,” your father added, negotiating. He tilted his head, analyzing your next move.

You knew of the first term since you were a child. You even remembered the exact day you learned them. You were a young girl, a little younger than seven. A young commoner boy had attempted to hand you a rose. Your maid at the time had scolded him for standing in the way of a noble family, since he had stepped out in front of you. It was a discernible moment, truly.

As for your father’s second term… you were unconvinced such a thing could be done.

“The end of the courtship season is in four months,” you replied, frowning. You were sure you met most eligible men in your social class. How were you to form a genuine connection in such little time? Even if you couldn’t find love per se, you still wanted to find someone you were compatible with.

“If we reach that deadline and you find no one, we can talk about it,” your mother answered. “And, you must allow me and your aunt to fix you on outings with suitors we like.

“Fine. Only if Daphne joins me,” you replied, knowing fully well that you weren’t allowed anywhere without your handmaiden present.

. . .

Next week

Your mother was sure not to waste any time in beginning to schedule supervised outings with a different well-educated and ennobled man that was within the appropriate age constraints. You’ve never had such a boring week, brutally torn away from the studies you adored so much.

“—And we’ve got another vacation home down in Tuscany, I think,” the Viscount Lineford’s son concluded, taking a peremptory drink out of his tea. He was dressed crisply in beige trousers that rolled up past his ankle and low leather shoes. His sterling watch sparkled in the spring sun.

You fought a building yawn that tempted the back of your throat, determined to hide your exhaustion with the man. It was a good effort, but you certainly weren’t impressed.

“That must be incredible,” you answered absently. “It must be such a lovely foreign getaway for the Lineford family,” you grinned diplomatically, blind to the horror that twisted his — you didn’t care to remember his name, unfortunately — face.

“Foreign? Excuse me Lady Y/n, but my family traces far back into Italian culture that we are practically Roman…” he started, only for you to interject.

“Will you just excuse me, please?” You struggled to keep the desperation out of your face, calmly searching for your supervisor. She was meant to be sitting at a table nearby, merely ensuring that your outing remained within polite societal constraints. More importantly, Daphne served as your escape when your potential suitors proved most unbearable. All you needed to do was subtly tilt your fan to your left ear and the woman would always scramble over to you with an excuse to steer you out of any scenario you found distasteful.

Such as this one.

Daphne never normally left your side, a realization that allowed worry to creep into your tone. “I’m unsure where my maid went, and I would like to fetch her,” you replied, standing and shouldering your small day bag over your shoulder.

“I’m sorry?” He asked, chuckling with bitter disbelief at your rudeness. Ladies were supposed to be demure and polite. You were impatient and honest, a product of an Earl knowing that his daughter was the object of his legacy. Your father trained you as he would a son, and your tutors followed in suit. “Surely you’re joking; this is the middle of our tea.”

Her pocketbook and her sweater weren’t even sitting on the chair she had been occupying, causing you to blink at the empty table in disbelief.

“No, I’m not. I think something might be wrong,” you shouldered past the man, stepping between other individuals sitting at the common tables in the park.

“Fine, you aren’t worth it anyway!” He called at your back, but the words hardly registered with you.

The area was rather common for courting pairs to visit in the early spring. However, it could also be populated with…criminals. “Excuse me,” you mumbled, quickly walking down the paved pathway through the greenery to the main sidewalk, the London pavement heavy with pedestrians. The streets were perhaps more crowded with carriages and sweating horses.

You couldn’t be alone in the city! As a woman of your stature, it simply wasn’t done. Never. Ever. It was an affront to your teachings, and it was unsafe. You needed your friend, not some stranger.

“Where is she?” You mumbled, rapidly attempting to discern every face that passed you. Surely it wouldn’t be long until someone recognized you— you were one of the most photographed families in the country. In fact, you were fortunate no one had offered your location to the press while you were on this outing. You never would have heard the last of it.

Some took hold of your handbag and darted off, using your distractedness to his advantage. He ran to the end of the block and crossed the street, weaving through pedestrians once the crossing guard allowed your side to walk over. If your hand hadn’t been tightly clutching the strap as you walked, you never would have noticed.

You did your best to pick up your speed and chase him, yelling out.

You cried out, glancing down at your long springtime dress. Your short heels were nowhere near efficient enough for you to make a chase out of the robbery, nor should have needed to! Even still, you lunged into the street — without looking.

In fact, if you had committed to your step, you would’ve been flattened by an oncoming carriage, given that the crossing guard had ordered pedestrians to stop passing moments prior. The only reason why you didn’t make the life-ruining step seemed to be… a tall young man with a serious face and staggering presence. He only had one exposed blue eye, the other was concealed by a black eyepatch. His grip tightened around your arm, pulling you intimately into his chest.

You breathed heavily, tearing yourself out of his arms. A flair of irritation caused you to glare at him as you righted your stance and smooth your dress. However, he did save you from a potentially life ending situation. His immediate insurance of your safety was more meaningful than a misaligned gown that you fixed in seconds.

In fact, the moment truly was a bit theatrical. The man was handsome enough to make you smile with uncertainty, your irritation melting. “Thank you for that,” you said, relieved that the sidewalk seemed to clear, the crowd dispersing from the main street. “I could have been killed.”

“That would have been quite a shame,” he replied, locking eyes with you. The man made a thin attempt at returning your smile. He was enchanting, regal… your heart skipped a beat, considerably flustered.

…Until he spoke again, completely distorting the immediate magnetic lure you felt from his sharp features: “Rather careless of you, my Lady. You ought to be smarter than that.”

You frowned. “In case you failed to notice, that man stole my handbag and essentially disappeared,” you snapped impatiently. It had your identification, emergency notes in case you needed to purchase something, the current novel you were fixated on…how were you meant to return to the estate now?

“You weren’t catching him, I don’t think,” he noted astutely, watching you as you stepped past him to go in the direction you came from. Perhaps Daphne circled back to the park in search of you. You absolutely needed to find her.

“Thank you for your help. Good day,” you answered brusquely, continuing to walk. However, he remained in stride with you, still unabashedly smug. It quickly absolved you of any former gratefulness you had toward the man for pulling you away from oncoming traffic. Perhaps it might have hurt less to have collided with a horse and a carriage over the velocity and mass of this random man’s ego.

“What, don’t tell me you going to go chase him,” He said patronizingly, a sardonic pull infecting what you thought was initially a careful smile. No, the man was just another arrogant bastard, it seemed. “In those shoes, especially,” He perused, causing you to stop once more and regard him.

“I am a noble woman, you will not speak to me in such a manner no matter what line of—“ you caught the sapphire family and silver crest rings around two of his fingers — “mediocre destitution you come from!” You jabbed purposefully, undeserving of his rudeness and his condescension, no matter what title he occupied in your class. You were the partial inheritor of TransAtlantia; you trained to run the company to some degree since you could speak. Few could step to you.

“I believe I said good day, kind sir,” you added poisonously, daring him to continue to test you before speeding back towards the park. You needed Daphne, you needed an officer…anyone besides this pompous— you ended the thought before you could further infect yourself with such unladylike curses.

It really wasn’t so easy being the daughter of an Earl.

CIEL PHANTOMHIVE

“I’ve planned things so Lady Y/n’s maid is off helping a little girl find her mother; I separated the two by distracting the girl with a kitten. Y/n will panic without her maid being within her immediate reach, drawing her out to the street. I will cause her to put herself in harm’s way by distracting her at the corner of 89th Street and Arthur. Be ready by the street post. I’ve made the new paralegal late to his case, he will have instructed his butler to drive quick. You will need to pull her away from the street. If you miss, things may end rather…unfortunately for the young woman,” Ciel Phantomhive’s butler, Sebastian Michealis, outlined.

Sebastian was Ciel’s head butler, his head chef, head landscaper, tailor, tutor… but most importantly, the Earl of Phantomhive’s contracted demon. The supernatural being was at his disposal and his bidding; his new role being the most interesting one of all: matchmaker. He fabricated a scene for Ciel to meet Y/n Y/l/n, and ideally, make her love him.

It was simple, really. Ciel needed a wife; Y/n’s family needed a competent businessman to run that prosperous giant of a shipping enterprise; and most importantly, the woman seemed to be rather competent. The only danger to his strategy was, of course, Y/n’s foul storybook idealism, apparently. Ciel knew Y/n was highly educated and well graced in ettiquiete, but she seemed intent on finding some happily ever after of sorts.

She wanted a husband— a bloody love match. No— she needed an actor to convince her that she was worth marrying beyond the incredible status she represented. There was no asset greater than a title and an economic monarchy to inherit, and securing such a prize meant that Ciel needed to woo her.

“My Lord, you must be considerate, but not too kind. Though you should also refrain from acting too smugly or the lady may take offense,” his butler had offered some horrifically embarrassing — and incredibly unhelpful — acting lessons for him to express the particular warmth Lady Y/n seemed to be looking for.

Love. A feeling Ciel hadn’t known in around nine years. Arguably, it could’ve been more. And yet, in order to stop being solicited by desperate mothers and unlikely candidates, he was securing his bride.

According to Ciel’s butler, that meant he needed to create a memorable foundation in the woman’s mind, an introduction that would leave her curious, impassioned. Wanting more. Something to make him stand out amongst the other faceless, classless mouth breathers who would be vying for TransAtlantica, now that word of her search for a suitor was widespread.

The company and Y/n’s hand were all one in the same courtship, and Ciel was sure the was going to win both.

The Earl of Phantomhive was never one to lose. He’d be remiss to start now.

[greenfiend]

Deducing what may have actually happened to Will Byers on Nov 6, 1983 using evidence from the show. part 3.

Part 1 Part 2

TW: abuse

To begin, I want to go back to specifically where Will was taken.

As @thestrangestthing89 mentioned, it was the shed. He ran there but was taken by the “Demogorgon” (which can also be defined as The Deep Father).

So, Will is now held captive in the trunk of the car. Again, not unlike Marty Mcfly who also experienced this in Back to the Future. Will is heavily associated with Marty.

So our poor boy is not doing so well in that trunk.

And Lonnie? Well, perhaps I’m wrong about his motives. Perhaps he’s not financially motivated, but purely motivated by hatred?

Now, I think something may have happened to cause Will to not quite hit the water… specifically I think the clocks turned back and…

His “fall” was reversed. Not sure how exactly, but I think Mike had something to do with it.

So our boy is back in the car. And where does this car end up?

“Off the board”. Remember when El flipped the DnD game board to show that Will was in the UD? That line tells us that Will travelled to the UD within the car. Again, very similar to Marty Mcfly!

No wonder cars trigger Will…

So I think it’s possible that Lonnie travelled there too. He told Will to stay in the UD and not go. Will did just that… for a while.

Let’s just say… it’s interesting that Lonnie wasn’t around for a bit right after Will’s disappearance. He obviously found his way back soon after though.

So basically, like Castle Byers, Will perhaps created the UD (or at least his version of it) in order to escape his father’s abuse.

Check out this post on how visual storytelling tells us this.

I’m pretty sure I’m missing aspects (and could very well be incorrect about some things) but I think I’ve at least covered some of it.

There’s far too much evidence that Lonnie played a role in this. And for his ending on the show…

Sometimes the scariest monsters are the ones that are “normal”…

Please feel free to send me any questions or comments on this theory! I feel like Will’s disappearance is not discussed enough. It’s fascinating to me, and it truly is still a mystery that has not been solved yet. Even if you mainly care about Byler, I think Mike’s love for Will plays a major role here as well.